The Post‐Industrial “Shop Floor”: Emerging Forms of Gentrification in San Francisco's Innovation Economy

The San Francisco Bay Area in California is undergoing a technology‐driven wave of growth arguably more thoroughgoing than the first “dot‐com” bubble, fueling hypertrophic gentrification and tales of a deeply class‐divided, “Blade Runner kind of society”. While Silicon Valley is still the industry's employment center, San Francisco is seeing faster tech firm growth, and is transforming its downtown to become more “livable” and promoting public space as key to innovation. In this context, this paper offers a reading of urban public space not just as a consumption amenity but also as the “shop floor” of a labor process that goes beyond the walls of the firm to mobilize the social itself in the production of privately appropriated value. With innovation now the watchword of gentrification, the stakes of this shift oscillate between the total commodification of urban vitality and the recognition of the social process of value production itself.     

Jesuit thalassology reconsidered: the Mediterranean and the geopolitics of Jesuit missionary aims in seventeenth-century Ethiopia

During the second half of the sixteenth century, the Society of Jesus relied heavily on Portuguese trade routes in the Atlantic and Indian Oceans in order to reach Ethiopia. However, geopolitical shifts, particularly the rise of Ottoman sea power in the Indian Ocean and the Spanish conquest of Portugal in 1580, ended this route’s viability for the Jesuits. In order to sustain Jesuit connections with Ethiopia, Father General Mutio Vitelleschi decided in 1627 to abandon the Portuguese and send four Jesuits with French passports through Ottoman territory and up the Nile, whence they would travel overland into Ethiopia. After arriving in Egypt, however, the Jesuits were arrested, interrogated and expelled by the Ottoman governor, who suspected that they were Habsburg spies. The course of this failed Jesuit effort to reach Ethiopia has three important implications for our understanding of the Mediterranean and its relationship with other sea spaces in terms of early modern empire building and Catholic evangelization. First, the decision to abandon the Portuguese in favour of the French illuminates how the Mediterranean remained at the fore of the Society of Jesus’s missionary efforts. Second, French willingness to protect the Jesuits demonstrates that Louis XIII of France saw the Mediterranean as an important theatre for achieving his political, religious and economic goals. Third, the Ottoman decision to arrest and expel the Jesuits due to fears that they were in Egypt to assist in a Coptic rebellion and concomitant Hapsburg invasion demonstrates both Ottoman anxiety concerning the rise of European religio-imperial ambitions and the Ottomans’ ability to control foreigners travelling through their lands. In sum, these developments illuminate a larger thalassological picture of the Mediterranean, which, like other sea spaces, obtained as an important contact zone where early modern powers competed to build empires and save souls.     

Living with Hollywood: British film policy and the definition of ‘nationality’

Focusing upon how a ‘national’ film has been historically defined in Britain, this article traces the history of legal definitions of a ‘British’ film and identifies some of the issues around nationality that these have raised. The article begins with a discussion of the introduction of quotas for ‘British’ films in the 1920s and the adoption of the Eady levy as a means of providing production finance to ‘British’ films in the post-war period. It then goes on to examine the introduction, in response to EU regulations governing the film industry, of a ‘Cultural Test’ for ‘British film’ in 2007 and to consider the way in which eligibility for tax reliefs has depended upon a film qualifying as ‘British’. In assessing whether the Cultural Test may be regarded as constituting a ‘break’ in British film policy in terms of a shift from economic to cultural objectives, the article not only indicates the manner in which cultural and economic objectives have been brought into alignment but also identifies how the definition of the ‘national’ for the purposes of tax relief has been designed to encourage ‘transnational’ Hollywood production within the UK. In doing so, the article also indicates how ‘national’ discourses and practices have continued to inform and structure the economic and cultural dynamics of contemporary ‘British’ cinema as well as engaging with, rather than necessarily standing in opposition to, ‘transnational’ and globalising trends.     

The ‘R-Word’ and ‘E-Word’ Definitional Controversies: A Dialogue with My Five Interlocutors

In this piece, I reply to the principal criticisms made by my five interlocutors regarding my conception of Eurocentrism. This entails two key aspects with the first section discussing the ‘E-Word definitional controversy’, where I argue, in the light of the forum, that there are various competing definitions of Eurocentrism in postcolonialism which yield commensurable competing non-Eurocentric antidotes. While I defend my own position, I am interested in revealing this complex picture because it has not been brought to light before and I urge postcolonialists to debate these different conceptions. The second section considers the ‘R-Word controversy’ wherein my interlocutors want me to row back on my claim that post-1945 social science theory is founded on subliminal Eurocentric institutionalism rather than scientific racism or neo-racism. There I consider some of the issues that are stake while concluding that modern Eurocentrism is indeed embedded in racialised thought.