Perchta the belly‐slitter and her kin: a view of some traditional threatening figures,threats and punishments

In the contemporary folklore of Austria, Frau Perchta (active during the twelve days of Christmas) is depicted as the rewarder of the generous and the punisher of the bad. But the punishments she inflicts, such as ripping out a person's guts and replacing them with refuse, do not seem to fit the crime. This paper links Perchta's behaviour, and that of other bogeyman figures, to their historical context. Initially Perchta was the enforcer of communal taboos, hunting down those who spun on holidays or who failed to partake sufficiently in collective feasting (a propitious act designed to ensure future plenty). However, with the growing involvement of peasant women in the market economy (particularly for textiles), Perchta's role changed to the punisher of the lazy. Yet Perchta's previous roles survive, in attenuated form, in each new incarnation.     

Fish Otoliths and Folklore: A Survey

The folklore associated with fish otoliths is traced from classical times to the present day for the first time. Otolithomancy involved divination of maritime weather conditions by consulting the properties and morphology of the “stones.” In folk medicine, they were employed in the treatment of renal problems, malarial fever, nose bleeds, jaundice, pain, and swellings in the groin. They were also believed to act as aphrodisiacs. Modern applications include the treatment of urinary tract infections in Turkey, fever in Spain, and asthma and back pain in Brazil.     

An Analysis of Certain Finnish Origins

Religious poetry is generally considered the fruit of a people's long reflection on their relationship with their gods, with the ancestors, and with the partly seen and unseen universe. It is used to celebrate events in the life of the individual and the community, to express fellowship, and as a powerful means of communication. Thus, religious poetry is an integral element of a people's heritage. In this paper, I intend to present some forms of religious poetry, which are found among the Bakossi people of Cameroon, in order to show how magically-oriented formulaic expressions are used in order to maintain adherence to the normative order of society. The point I intend to make is that the incantatory form of religious poetry, was, and still is, used among the Bakossi people of Cameroon, as well as in other parts of rural Africa in terms of individual and communal education.