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Heritage sites and museums play a significant role in the production and legitimization of historical knowledges and social identities. The potential for these institutions to act in ways that maintain deep‐rooted inequalities in the relative power of social groups has long been noted by academic commentators. A critique of the role of museums in reproducing ‘official’ histories is now well established. In this paper we explore new ways of conceptualizing and empirically exploring the production and politics of museum histories. By tracing the historical development of museums, we explore the power play between individual actors and institutions involved in production of the museum, and the multi‐vocal histories and landscapes which result from the interaction between these actors. We illustrate these arguments through a case study of Ellis Island Immigration Museum in New York Harbor. 相似文献
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Joanne B. Eicher 《Reviews in Anthropology》2013,42(3):273-292
Dalby, Liza. Kimono: Fashioning Culture. New Haven, CT: Yale University Press, 1993. xi + 384 pp. including notes, bibliography, and index. $30.00 cloth, $17.95 paper. Kawakami, Barbara F. Japanese Immigrant Clothing in Hawaii, 1885–1941. Honolulu: University of Hawaii Press, 1993. xvii + 253 pp. including notes, glossary, sources, and index. $19.95 paper. Rubinstein, Ruth P. Dress Code: Meanings and Messages in American Culture. Boulder, CO: Westview Press, 1995. xii + 314 pp. including notes, bibliography, and index. $69.00 cloth, $21.95 paper. 相似文献
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Joanne Lee 《Modern Italy》2013,18(4):379-393
Situated on the border between the capitalist West and Communist East, and with the largest Communist party in Western Europe, Italy found itself at the centre of global ideological struggles in the early Cold War years. A number of Italian writers and intellectuals who had joined the PCI (Partito Comunista Italiano) during the Resistance had hoped that the party would play a central role in the post-war reconstruction of Italy and were attracted to the Soviet Union as an example of Communism in action. This article centres on accounts of journeys to the USSR by Sibilla Aleramo, Renata Viganò and Italo Calvino. It will argue that although their writings portray a largely positive vision of the USSR, they should not be dismissed as naive, or worse, disingenuous travellers whose willingness to embrace Soviet-style Communism was based on a wholescale rejection of Western society and its values (see P. Hollander’s 1998 [1981] work, Political Pilgrims: Western Intellectuals in Search of the Good Society). Rather, the article shows how their accounts of the USSR shed light on the writers’ relationship with the PCI and argues that the views expressed in the travelogues emerge from the writers’ personal experiences of war and resistance, a fervent desire to position themselves as anti-Fascist intellectuals, and their concerns regarding the direction that Italian politics was taking at a pivotal moment in the nation’s history. 相似文献
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Joanne Edney 《Journal of Maritime Archaeology》2016,11(3):271-297
Shipwrecks are becoming increasingly popular and, therefore important attractions for recreational scuba divers. Divers’ usage of these sites has the potential to create a range of adverse impacts on their cultural heritage values. Impacts associated with recreational scuba diving include boat anchor and mooring damage, impairment of site integrity and stability, the effects of intentional and unintentional contact with shipwrecks and artifacts, as well as divers’ exhaled air bubbles coming into contact with shipwrecks. While these consequences may not present a major threat in comparison to other human impacts, such as fishing activities, extractive industries or commercial salvage, their cumulative effect can be significant, particularly at sites where visitation levels are high. Unlike natural events such as storms, diver impacts can be controlled and managing these impacts is an important component of a heritage management strategy for any site. Heritage managers face the difficult challenge of, on the one hand, balancing divers’ access to important underwater cultural heritage sites, and on the other hand, protecting these sites. This paper outlines the causes and nature of potential recreational diver impacts on shipwrecks, briefly describing a range of management approaches that can mitigate such impacts, and presents a framework for the management of diver impacts on cultural heritage values of historic shipwrecks. The framework is designed to assist managers in deciding on appropriate management actions and priorities for particular sites. 相似文献
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Woiak J 《The Public historian》2007,29(3):105-129
Aldous Huxley composed Brave New World in the context of the Depression and the eugenics movement in Britain. Today his novel is best known as satirical and predictive, but an additional interpretation emerges from Huxley's nonfiction writings in which the liberal hurmanist expressed some surprising opinions about eugenics, citizenship, and meritocracy. He felt that his role as an artist and public intellectual was to formulate an evolving outlook on urgent social, scientific, and moral issues. His brave new world can therefore be understood as a serious design for social reform, as well as a commentary about the social uses of scientific knowledge. 相似文献
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