Using hearths for temper: petrographic analysis of Middle Woodland charcoal-tempered pottery in Northeast Florida

Charcoal-tempered pottery is uncommon in North America, but was produced with notable frequency in Northeast Florida from ca. AD 300–600. Thirty-six thin sections of pottery were analyzed by petrographic analysis and compared to 10 clay samples in order to characterize the paste of charcoal-tempered wares in terms of charcoal and mineralogical composition and abundance, assess the number of clay sources used to make the pottery, identify the species of wood represented in charcoal inclusions, and infer techniques of ceramic production. This analysis identified four temper categories, three texture groups, and three distinct clay resources used to make charcoal-tempered pottery, all of which were likely local to Northeast Florida. Identified wood taxa include pine (Pinus sp.), cedar (cf. Juniperus sp.), cypress (cf. Taxodium sp.), and sassafras (Sassafras albidum), with pine suspected to be the most common. These genera of charred wood, which exhibit minimal shrinkage in the samples, along with the prevalence of bone and grog inclusions, indicate that hearth contents were processed as temper, sometimes in combination with quartz sand. Potential reasons for the use of hearth contents as temper are considered.     

WHEN ARTS MET MARKETING

This article argues that arts marketing theory is embedded in the existing context of the nonprofit arts sector – that is, Romantic belief in the universal value of the arts and producer authority over the consumer. As “a set of techniques” and “a decision‐making process”, marketing was able to sit comfortably in the nonprofit arts context during the 1970s and 1980s. However, recent recognition of marketing as “a management philosophy” has brought out incompatibilities between the customer orientation of the marketing notion and the Romantic view of artistic production. This article demonstrates that arts marketing writings embrace Romanticism through the following: generic marketing concept; relationship marketing approach; extended definition of the customer; extended definition of the product; and reduction of marketing to function. Such findings suggest that persistence of the existing belief system and the embeddedness of the market be considered when marketisation in the arts sector is analysed.     

Creative shifts and directions

The availability and “readiness” of culture as a mode of governmental control makes cultural policy a matter of great importance in any contemporary society. This is true not only in liberal democracies with established arts councils or cultural policies, it is also proactively pursued by a technologically advanced yet illiberal regime like Singapore, eager to position itself as the global “Renaissance City” of the twenty‐first century. What this “renaissance” model entails remains highly cryptic, not least because cultural terms and political markers are often elusive, but also because the very concept of “cultural policy” shifts along with the political and economic tides in Singapore. Drawing on a rarely cited essay by Raymond Williams, this article offers an historical look at cultural policy in Singapore – from its first articulation in 1978 to its present standing under the rubric of “creative industries” (2002). It considers some of the problems encountered and the societal changes made to accommodate Singapore’s new creative direction, all for the sake of ensuring Singapore’s continued economic dynamism. This article contends that cultural policy in Singapore now involves extracting creative energies – and economies – out of each loosely termed “creative worker” by heralding the economic potential of the arts, media, culture and the creative sectors, but concomitantly marking boundaries of political exchange. In this regard, culture in Singapore has become more than ever a site for governmentality and control.     

戈壁行者

1300多年前,大唐盛世,高僧玄奘沿着丝绸之路出发,独自穿越戈壁,前往遥远的西方寻求佛法。唐玄奘取经路上曾经九死一生,尤其是在甘肃与新疆交界的莫贺延碛戈壁这一段,他实现了人生的超越。2013年5月22日,我们踏上了1300年前的"玄奘之路"。     

The Mormon Historical Demography Project

Abstract

This article describes the background and reconstruction of the Belgian 1961 census sample file. Recently, a complete codebook for the sample file has been drawn up, and the representativeness of the sample has been evaluated as accurate, except for the loss of cases that occurred for three Belgian subregions. With the addition of the 1961 census sample, cross-sectional microdata from the five successive population censuses since that year, covering a broad range of topics, are now available to the research community. The reconstruction of the 1961 census sample was part of the activities of the HISSTAT project, which is currently being run by a consortium of research institutions in Belgium to bring together cross-sectional aggregated data since 1800, aggregated longitudinal data since 1880, and cross-sectional microdata since 1961, all covering the entire country.     

The Life and Poetry of Yun Sŏn-Do 尹善道, the Greatest Poet in the Sijo Form

Abstract

This essay, beginning with the proposition of Confucius being born with knowledge, aims to illustrate the sacred imagination Zhu Xi has on Confucius, as well as how the former utilizes specific hermeneutical strategies to maintain the image of the latter. The essay first places in order theories from scholars in the past, regarding “sages being born with knowledge,” then goes on to examine the exegesis Zhu had on the fact that Confucius has “Inborn Knowledge”; followed by a revelation on how Zhu has made use of the concept of “Expression of Modesty” to resolve textual conflicts caused by the affirmation of such knowledge. Finally, limitations of Zhu's hermeneutical strategies are critically examined, so as to exhibit the correlation between commentators of the Classics and the time they live in. The investigation can deepen our understanding on the hermeneutical tradition of Confucianism, hence producing a complementary effect on recent studies.