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Joanna Sassoon 《International Journal of Heritage Studies》2013,19(3):255-266
Building a cultural landscape involves deep political and social processes. Discussions relating to decisions about preservation reveal cultural values at a particular moment and explain the character of the surviving landscape. This study analyses how one community in Western Australia defined its sense of place and identity. In the 1930s, on a wave of historical consciousness, Western Australians sought to enshrine the desire to preserve a range of historical materials in legislation, and conducted debates about the very survival of the buildings and documents. This paper investigates why legislation to preserve buildings and documents failed, and how the community understood the relationship between these two forms of heritage. Bringing together the two series of discussions, about the values inherent in and surrounding documents and buildings, highlights the way in which meanings are invested in places and things, and the values and processes through which the cultural landscape is shaped. 相似文献
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In December 2003 Iran signed an Additional Protocol to its Safeguards Agreement with the International Atomic Energy Authority. The signing followed 18 months of mounting international pressure on Iran to prove its benign motives following revelations about past failures to declare work on uranium enrichment and plutonium separation–the two routes to producing nuclear weapons-grade material. Although Iran has strenuously denied having a nuclear weapons programme, both the United States and the European Union have been highly suspicious. However, their responses to Iran have shown a divergence in how to counter the proliferation of weapons of mass destruction. The way forward on Iran will be influenced significantly by the extent to which the American and European approaches can be reconciled or otherwise. 相似文献
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Joanna Woronkowicz Thomas M. Rabovsky Michael Rushton 《International Journal of Cultural Policy》2019,25(3):363-376
Various reforms at the federal level have led bureaucracies, including arts councils, to design and implement performance measurement systems. We still know very little about whether performance measurement has any influence on the external conditions of arts councils, or whether it serves as policy rhetoric for arts advocacy. In this article, we seek to understand the answers to these questions by conducting a case study of performance measurement at the National Endowment for the Arts (NEA). We conclude that there is little evidence that performance measurement at the NEA has had any appreciable effects on agency appropriation levels. Therefore, as a policy response to federally mandated performance measurement systems, arts councils might do better in focusing exclusively on metrics that capture internal efficiency, as opposed to those that serve to demonstrate performance to external constituencies. 相似文献