Thomas Carlyle's Calvinist dialogue with the nineteenth-century periodical press

This article signals at a dearth of critical engagement with Thomas Carlyle's Presbyterian heritage resulting from the received whiggish narrative of his Calvinism as unenlightened, anachronistic, and backward-looking. It proceeds to challenge this view by examining closely Carlyle's creative use of key Calvinist concepts in his cosmopolitan and enlightened dialogue with the contemporary periodical press over British and European cultures. Carlyle is shown to be an adept purveyor both of the Edinburgh Magazine's enlightened idiom and of Blackwood's morally conservative and artistically cosmopolitan agendas, while also making creative capital of the Anti-Jacobin's powerful Gothic imagery and of the critical verve of the Westminster Review. The main addressees of Carlyle's reading of the signs of the times, I argue, are contemporary Whigs. Carlyle's depiction of Macaulay as a ‘spiritual hippopotamus’ spells Carlyle's broader critique of the modern lack of imagination of the spiritual which sponsors deterministic religious and secular readings of reality. Carlyle displays his enlightened Calvinist perspective in discussing the French Revolution through such key Scottish Enlightenment concepts as free will, conscience, civilisational and moral progress, and divine providence. Insightful and creative use of his inherited Scottish Calvinist heritage characterises Carlyle's open, cosmopolitan reading of the signs of the times.     

National identity during periods of controversy: celebrating Cinco de Mayo in Phoenix,Arizona

Cinco de Mayo, celebrated by Mexican Americans as well as Americans of other ethnicities, provides an opportunity to examine the influence of ethnic festivals on broader US identity. Given the recent controversy over the immigration bill, State Bill 1070, passed in Arizona in 2010, the themes presented in newspaper articles concerning the celebration of the holiday in Phoenix, Arizona (2006–11) and the public response to these articles are examined. This examination reveals the intense contestation associated with the presentation of symbols and themes of national identity during periods of political controversy. It also illustrates that ordinary people have strong, long‐standing opinions about the future of the nation and national identity and will express their opinions when an outlet is provided to them     

Chronologies in wood and resin: AMS C dating of pre-Hispanic Caribbean wood sculpture

This paper establishes a chronological framework for selected pieces of Caribbean (Taíno/Lucayan) wooden sculpture, enabling previously ahistoric artefacts to fit back into the wider corpus of pre-colonial material culture. Seventy-two ¹⁴C AMS determinations from 56 artefacts held in museum collections are reported, including 32 ceremonial duhos, or seats. Far from being constrained to the last few centuries prior to contact, the dates for these objects extend back to ca. AD 250, and include the artistic legacies of various cultures. Duhos in both low and high back styles are present from about AD 600, if not earlier, in a distribution that spans the Antillean island chain from Trinidad to Cuba. Complex, drug-related paraphernalia and elaborate ancestral reliquaries are in evidence by AD 1000, as are some distinctive regional styles – such as the unique iconography from the Bahamas and Turks and Caicos islands. This paper explores relevant methodological issues – from the challenges of working with museum pieces (e.g., uncertain provenance, discrete sampling techniques, impact of previous conservation treatments on dating results), to dealing with potential ‘in-built’ age in tropical hardwoods.     

Rooting diaspora, reviving nation: Zionist landscapes of Palestine–Israel

This paper explores the politics of landscape and nature within the process of nation-building. In it I examine how landscapes can operate in multiple, intersecting ways in the service of an ideological discourse and how the politics of nature, specifically trees, can contribute to the shaping of a new national space and subjectivity. Focusing on the multiple renditions of Palestine promulgated by the Jewish National Fund (JNF) , I discuss how landscapes can entangle diaspora and homeland, aesthetics and embodiment, antiquity and modernity, with both conceptual and material consequences. Drawing on histories of the JNF and on a selection of historic newspaper articles and children's literature, I explore the circulation of aesthetic renderings of Palestine and the performance of embodied landscapes during the children's tree-planting holiday, Tu B'Shvat. I argue that the centrality of trees to the JNF, and the imagery of roots, renewal, family and innocence that they conjure, legitimised Zionist colonisation and naturalised the Israeli nation state and body politic. I also demonstrate how JNF landscapes and afforestation work assisted in the demarcation of Israeli nation-space and therefore in the material dispossession of the Palestinians.