Looking for Ancient Fish Products Through Invisible Biomolecular Residues in the Roman Production Vats from the Atlantic Coast

As organic materials, fish and its derivative products are perishable and break down rapidly and ultimately disappear. Unless they include bones or scales, the only means of identifying them in the archaeological record is through the identification of the chemical constituents that are left behind after decomposition. Fish flesh mainly consists of proteins and lipids. Since these molecules are unstable they degrade irreversibly after death or discard, losing a significant part of the original chemical elements, consequently hampering or complicating their identification. In this paper, two main types of fish products are considered: raw, salted or cooked fish, and fermented fish-based products. In the first case, the degradation of the native markers results from chemical post-depositional degradation, and eventually thermal degradation during cooking. In the second case, the biochemical processes involve bacteria that cause the rapid decomposition of fish as part of the process of forming fish sauces, such as Roman garum. To detect and identify fish products we combined experimental archaeology and organic analyses. The identification of the degradation products of cholesterol appeared to provide a strong indicator for detecting the presence of fish sauces. Analysis of samples taken from fish-salting vats located along the Atlantic coast (Marsa, Baelo Claudia, Troia, Kerlaz, and Etel) with samples taken from actual experimental garum sauces made from mackerel (Scomber scombrus), sardines (Sardina pilchardus), and/or oysters (Ostreidae), revealed the presence of common markers of fermented fish-based products. The application of the analytical methodology described here to structures involved in ancient fish sauce manufacture and storage has enabled investigation of the production of the sauces by searching directly for the fish markers on the inner sides of the containers. For the first time the addition of molluscs and fruits in the fish product has been identified as part of the process of manufacturing garum.     

The colors of the Fontana di Trevi: an analytical approach

During the last restoration of the Fontana di Trevi -Rome (2014–2015), it has been performed a diagnostic investigation to characterize the materials used to build and obtain the colors of the surfaces of some architectural elements of this fountain. According to the restoration teamwork needs, we focussed our efforts on the dome over the central statue of Oceanus, on the bas-relieves on the sides of the dome, and on the cliff where the water flows. Several samples were collected from these elements and therefore, they were subjected to an analytical approach including infrared spectroscopy, optical and scanning electron microscopy. The achieved results indicated the use of red earth pigments on the dome. The same pigment has been revealed on the bas-relieves, although their colors have an additional contribution due to degraded layers. Samples taken from the cliff showed a complex stratigraphy, although a white scialbo has been identified as original layer, testifying the intentions of the authors in term of color rendering. This information was essential for the restores in order to choose the proper intervention procedure for each investigated surface. The research testified the importance of an integrated diagnostic analysis to preserve the original colours of monuments and building.     

The Influence of Dowel-Bearing Strength in Designing Timber Pegged Timber Joints

ABSTRACT

The employment of timber pegs in timber structure joints is a widespread technology in the field of timber frame building in the United States, where the Timber Frame Engineering Council has published a special Standard to supplement the National Design Specification for Wood Construction. The authors have been studying the possibility of supplementing the Eurocode 5 design formulas, thought for timber joints with metal connectors, with specifications needed for a reliable design when employing timber pegs. The field of application envisaged is that of restoring timber structures and results obtained until now are quite encouraging. In this step of the research, more attention has been paid to deformation process: fir and chestnut samples have been tested to determine their dowel-bearing behavior with steel and ash timber peg while double-shear plane joints made of the same wood species, and fastened with steel as well as timber pegs, have been analyzed.     

Establishing a ‘Cultural Base’? The Creation of the Fulbright Program in Portugal

This paper deals with the cultural and educational relations between the United States and Portugal during the Cold War. It is built upon the premise that cultural policies and cultural relations between states are a fundamental part of international relations. History of International Relations, therefore, should overcome an analysis based only upon political and diplomatic dimensions to address what can also be referred to as ‘cultural diplomacy’. The Cold War period, because of its historical features, is particularly relevant to the study of processes of cultural diplomacy and some authors even consider it as the ‘golden age’ of cultural diplomacy.¹1. William Glade, ‘Issues in the Genesis and Organization of Cultural Diplomacy: A Brief Critical History’ in The Journal of Arts Management, Law, and Society (Winter 2010), vol. 39, issue 4, 242. For cultural diplomacy during the Cold War see Jessica Gienow-Hecht, ‘Culture and the Cold War in Europe’ in Leffler, Melvyn & Westad, Odd Arne, The Cambridge History of the Cold War Vol. i, (Cambridge University Press, 2010), 398–419; Akira Iriye, ‘Culture and International History’ in Michael J. Hogan and Thomas G. Paterson (ed), Explaining the History of American Foreign Relations, 2nd ed. (Cambridge: Cambridge University Press, 2004); Richard T. Arndt, The First Resort Of Kings: American Cultural Diplomacy In The Twentieth Century (Virgínia: Potomac Books, 2005).View all notes     

Luminescence geochronology and paleoenvironmental implications of coastal deposits of southeast Cyprus

Quaternary stratigraphy and sea level changes have been extensively investigated in many areas of the Mediterranean. However, numerical dating of coastal deposits and the associated paleoenvironmental information are limited for the coasts of Cyprus, principally based on radiometric and radiation-exposure geochronological techniques on fossils which bear a range of limitations and uncertainties. As such, optically stimulated luminescence (OSL) dating techniques are deemed to be the most suitable in direct dating of the coastal sediments of Cyprus. In the southeastern Cyprus, coastal dunes (aeolianites) now forming elongated ridges appear as morphological features running parallel to the current shoreline presenting an indicator of sea level and climate changes of great paleoenvironmental significance. We present our first chronological results for the exposed aeolianites and underlying littoral deposits formed along the southeastern coastal Cyprus ranging from 78.4 ± 9.9 to 56.2 ± 7.4 ka. The post-infrared–infrared stimulated luminescence (pIR-IRSL) revealed that dune formation took place during the marine isotope stages (MISs) 3, 4, and possibly 5a. Late Holocene reworking is proposed for a distinctively isolated dune with an age of ~1.3 ka ago. This study also showed that pIR-IRSL dating of feldspars may be a reliable alternative to quartz OSL dating when the quartz luminescence characteristics are unsuitable.     

Non-destructive spectroscopic investigation of artefacts from middle Hallstatt period—case study of a stone bead from Tărtăria I hoard,Romania

A stone bead, part of a necklace found in a middle Hallstatt period—type of settlement—the T?rt?ria site in Alba County, Romania, was investigated following a non-destructive approach, by means of energy-dispersive X-ray fluorescence spectrometry and Fourier transform infrared spectroscopy. The highly heterogenous object, found together with numerous bronze and iron objects, appeared to be a variety of chalcedony rich in iron and copper impurities, still preserving clay minerals from the sedimentary matrix in some of the areas. Organic molecules found at the surface of the stone artefact may indicate the presence of a wax or resin residue, possible evidence of early craft specialization. The non-destructive protocol applied allowed an in-depth characterization of the artefact, providing important information not only on the crystal structure but also on the diagnostic impurities present within this peculiar stone bead.     

Dental and oral nonmetric traits in a Coimbra reference sample: testing intrasample chronological and spatial variation

A reference sample of dental and oral nonmetric traits should represent its biological population from which it stems. The presence of individuals born at different times, different regions, and separate countries in the Coimbra-identified cranial collections provides the test of whether this sample reflects the biological continuity of this Portuguese sample among the late modern (early industrialization, nineteenth century) to early contemporary (early demographic transition, first half of the twentieth century) population of this region of central Portugal. The Coimbra collections were scored for 61 traits using methodology by Hauser and De Stefano (1989), Turner et al. (1991), Scott and Turner (1997), Irish (1998), and Marado and Silva (2016). The 600 individuals in the sample were divided by generation, region, and nationality. Their phenetic diversity was tested with principal component analysis and with the mean measure of divergence statistic. The proximity between the subsamples was generalized, and it mimicked previous genetic marker results. Some small subsamples hindered conclusions; nevertheless, this Coimbra sample is considered a reliable dental reference sample for the Portuguese late modern/early contemporary population.     

Make-believe: fashion and Cinelandia in Rizzoli's Lei (1933–38)

Amidst the wide array of women's magazines published in Italy in the 1930s, Lei. Rivista di vita femminile presents a compelling case study of the make-believe effect achieved through fashion and the allure of the silver screen. Published by Angelo Rizzoli between 1933 and 1938, Lei stands out for a cosmopolitan, American-looking lifestyle that champions an Italian ‘new woman’, aware of her own new image and enmeshed in a fantastic world of romantic novels and movie stars. This essay studies the paradoxes and complexities of an Italian illustrated periodical promoting the image of a fashionable woman in the midst of growing imperialism and autarchy, and publishing the work of Leica photographers, Lucio Ridenti and Paul Wolff in particular. Lei reflects the fundamental ambivalence of this time, promoting Italian fashion through Hollywood as a way to counteract the French fashion industry, and inviting women to role-play through the allure of their image.