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The Story of Koula, one of the Marshall Plan films, was made in Greece in 1951. It neatly exemplifies the capacity of Europe to ‘talk back’ to the USA within the framework of cultural aid programmes. And as such it can introduce a little‐explored topic: the politics of the avant‐garde in Greece in the post‐Civil War years and in particular the role of US cultural aid. This post‐war perspective throws light on the better‐known National School associated above all with Manolis Kalomiris, who dominated Greek music and musical life in the interwar period. The second part of this paper scrutinises the agenda and achievements of the Kalomiris circle, and that in turn enables useful generalisations about romantic nationalism in music. The third part of the paper reflects on the pre‐World War I achievements of Heptanesian traditions, again caught between singularities and dependencies.  相似文献   
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In this essay I review two books of rather different focus, but with a common thread that is oral tradition: age-old tales passed orally down the generations to maintain the histories and used to educate the young. The focus of the Metge book is traditional methods of education, while McRae’s focus is on the stories themselves.  相似文献   
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This article examines E.H. Gombrich’s critical appraisal of Arnold Hauser’s book, The Social History of Art. Hauser’s Social History of Art was published in 1951, a year after Gombrich’s bestseller, The Story of Art. Although written in Britain for an English-speaking public, both books had their origins in the intellectual history of Central Europe: Gombrich was an Austrian art historian and Hauser was Hungarian. Gombrich’s critique, published in The Art Bulletin in 1953, attacked Hauser’s dialectical materialism and his sociological interpretation of art history. Borrowing arguments from Karl Popper’s critique of historicism, Gombrich described Hauser’s work as collectivist and deterministic, tendencies at odds with his own conception of art history. However, in his readiness to label Hauser a proponent of historical materialism, Gombrich failed to recognize Hauser’s own criticism of deterministic theories of art, especially formalism. This article investigates Gombrich’s reasons for rejecting Hauser’s sociology of art. It argues Gombrich used Hauser as an ideological counterpoint to his own version of art history, avowedly liberal and individualist in outlook.  相似文献   
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As humans and natural processes continuously reshape the surface of the Earth, there is an unceasing need to document and analyze them through the use of Geographic Information Systems (GIS). The public is gaining more access to spatial technologies that were once only available to highly trained professionals. With technological evolution comes a requirement to transition traditional GIS training for the next generation of GIS professionals. Traditional GIS combined with non-traditional GIS (i.e. mobile and location media) and CyberGIS educational materials could attract new and diverse students into Geography departments while informing the next generation of geospatial tool builders and users. Here we pose an applied pedagogical framework for teaching cutting-edge GIS material to diverse student populations with varying levels of technological experience and professional goals. The framework was developed as part of the National Science Foundation (NSF) CyberGIS Fellows program and was applied as a course template at the University of Washington Tacoma’s Master’s of Science in Geospatial Technologies. We chart how the framework developed into a cyclical structure from our original conceptualization as a hierarchy. This changed the epistemological orientation accommodating the shifting technological terrain of the GIS landscape to improve the skills of those driving the machines.  相似文献   
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Journal of Archaeological Method and Theory - Dental mesowear is a widely used tool in archaeology and palaeontology for the reconstruction of the overall diet of mammals. This method is based on...  相似文献   
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The remains of the preserved ice body from the Kwäd?y Dän Ts'ìnch? discovery were recovered from a retreating glacier in the Tatshenshini-Alsek Park, British Columbia in August 1999. Despite the remote location 80 km inland, bone collagen stable isotope analysis indicated that the individual spent much of his life in a region rich in marine foods (δ13C −13.7‰ and δ15N +17.9‰). Since finds of such bodies are exceptionally rare we undertook detailed lipid analyses in order to assess their preservation and determine whether they might provide new insights into the individual’s dietary life history. Molecular fingerprinting and compound-specific carbon isotope analysis were performed on individual lipids extracted from his bone (turnover approximately ≥1 year) and skin (turnover approximately several weeks). A considerable abundance was observed of C12:0, C14:0, C16:0, C16:1, C18:0 and C18:1 fatty acids (FAs), cholesterol and hydroxy FAs (the latter being decay products). Most unusual was the presence of long-chain hydroxy FAs (LCHFAs), 10- and 12-hydroxyeicosanoic acid and 10- and 12-hydroxydocosanoic acid, in the bone. The latter components are most likely the products of microbially mediated hydration of the double-bonds of C20:1 and C22:1 FAs, the latter almost certainly originating from the consumption of a largely marine-based diet. A suite of three isoprenoidal lipids, phytanic acid, pristanic acid and 4,8,12-trimethyltetradecanoic (TMTD) acid, was also detected supporting the notion of a significant marine component of the diet for a substantial part of his life. In contrast, the skin lipid composition was dominated by C16:0 FA, with lower abundances being observed of the marine LCHFAs and isoprenoidal compounds, suggesting reduced reliance on coastal marine foods in the last period of life. This interpretation is supported by the enhanced marine dietary signal observed in the bone than skin FA δ13C values.  相似文献   
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