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The poverty of GIS theory: Continuing the debates around the political economy of GISystems
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Over the past several decades, GISystems and GIScience have become established and valorized within the field of geography and geographic education. With the recent explosion in daily use of devices producing spatial data, such as smartphones, has come a renewed call to broaden the purview of Critical GIS beyond the desktop and towards these new systems of capitalist accumulation. In this viewpoint, we argue that any re‐examination of the role of Critical GIS must also consider the political economy of geography and geographic education in which GISystems are used for research and taught. We explicate three registers at which GISystems function within geography: that of the individual educator, that of the GIS user, and that of the military‐industrial complex in which GISystems were and are developed. 相似文献
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Jim Berryman 《The Journal of imperial and commonwealth history》2016,44(4):573-591
This article investigates the nationalist historiography of the Heidelberg School, an Australian art movement from the Federation period, known for its iconic representations of national life and landscape. Drawing on recent scholarship of Australian nationalism, it questions conventional accounts of the Heidelberg School in Australian art history, especially those based on Bernard Smith’s radical interpretation of this movement. For Bernard Smith, and the generations of Australian art historians he influenced, the nationalism of the 1890s was a progressive force for national culture. Yet, in the post-Federation decades, national art declined (or ‘soured’) into a reactionary form of insular nationalism. By focusing on the ‘souring’ narrative of Australian national art, this article critiques the nationalist interpretation of the Heidelberg School. It explores an apparent contradiction: the role of Britishness in the construction of a distinctly Australian national art. 相似文献