Research on the Characteristics of Timber Frames of Tingtang in Residences of Ming and Qing Dynasties in Shanghai

ABSTRACT

The majority of research on residential architecture of Shanghai has focused on modern Shikumen. While in Shanghai, there are more than seventy representative residential buildings of Ming and Qing Dynasties, which demonstrate great achievements in technology and art; few efforts have been made on them. Via literature research and on-site investigation, this article contributes to the investigation of timber frames of tingtang of Ming and Qing residences in Shanghai. It studies the characteristics and influential mechanism from three aspects. First, it reviews the history of residences development in Shanghai. Second, it interprets the establishment of the timber frame style. Through-jointed frame in ancient Wu Area was influenced by the space need and the Central Plains’ raised-beam frame. It finally evolved into “zhengtie raised-beam frame + biantie through-jointed frame” style by Xiangshan Bang carpenters. Third, the article discusses the regional characteristics of being material economic and flexible collocation, which reflects the local customs. The study clarifies the importance of social background influence on timber frames of tingtang of Ming and Qing residences in Shanghai. It is one of the series of architectural studies in Jiangnan region, and appeals for more attention to the protection and maintenance of traditional architectures in Shanghai.     

非完整性墓葬异地搬迁保护规程化研究

价值高、完整度好的墓葬越来越多选择整体搬迁保护。但在考古工作中,有结构缺损的非完整性但价值较高的墓葬不在少数。西安出土一座关中地区少见的、形制完整的宋金时期砖雕墓,尽管其结构局部缺损但研究价值高,是研究该时期墓葬形制、丧葬风俗的重要补充。为完整保留墓葬形制,兼顾再研究与展示,欲进行搬迁保护。保护前通过建立物理力学模型模拟墓室质心的偏移校正,并分析计算搬迁过程中砖壁的倾覆风险,确定了采取保留外部土圹固型、内部加固支撑的整体吊装搬迁方案;再根据理论计算出留土高度、通过模拟实验改进彩绘层隔离保护工艺,成功实现该墓葬的整体搬迁保护。本工作在文物搬迁保护中引入理论模型对缺损结构的量化评估,探究搬迁保护规程化方法,可为同类非完整性但价值较高的墓葬搬迁保护提供方法借鉴。     

《商颂》的作者、作期及其性质

<诗经·商颂>现存五篇:<那><烈祖><玄鸟><长发><殷武>.这是颂扬商族祖先的祭祀歌辞,其中涉及的内容大致包括:     

东海女真文化的认知人类学阐释——以满族萨满史诗《乌布西奔妈妈》为例

满族萨满史诗<鸟布西奔妈妈>展示了东海女真社会鲜为人知的珍贵历史及大量古俗,凸显着满族原生文化的要素及特质,蕴含着丰富的生态意蕴.东海女真文化作为一种生存策略,集中表现为东海女真民众在生存实践中的一种知识能力和创造能力,这种能力主要源自东海女真人对自然的认知,对社会的认知以及由此产生的感悟与联想.对东海女真文化进行认知人类学的解读,对廓清满族原生文化的生成动因具有重要的意义.     

Adaptation in cultural industry under conservation pressure: case study of two Chinese embroidery clusters

Abstract

In this study, we explore how tension between ‘culture’ and ‘industry’ can be effectively dealt with in promoting cultural industry, taking the Chinese embroidery sector as an example. The diverging performance of two leading centers of Chinese embroidery production suggests that local adaptive and networking capabilities are essential in creating a new path out of the tension, and these capabilities are largely determined by local openness/flexibility, entrepreneurship, and linkage capacity. In Changsha, cultural conservatism prevails, and the local embroidery sector largely maintains traditional product styles and target customers, sticking to the historic path. It is in question, however, whether such a strong bias toward the high-culture segment of the industry is good for cultural heritage protection in the long run, given that the industry at standstill has faced increasing challenges in sustaining a solid local pool of skilled labor. In contrast, Suzhou’s local embroidery sector has actively responded to the changing market environment, through increased product segmentation and customization as well as intra/cross-industry collaboration. Such a flexible, scale-up strategy has helped the industry attract local talent and meet the market demand, while maintaining space for high-end artistic products.