Gendered Archetypes of Wartime Occupation: ‘New Women’ in Occupied North China, 1937–40

This article examines the creation and use of gendered archetypes by the Provisional Government of the Republic of China (PGROC), the first collaborationist government established in China following the Japanese invasion of 1937. Drawing on a wide range of visual sources, it traces how this regime's messages about where women ‘belonged’ in an occupied China resulted in the creation of unique and complex archetypes which were deployed to convince Chinese women of the advantages of PGROC rule. Chief among these archetypes was the figure of the ‘PGROC new woman’. I show how this figure developed in PGROC poster art and propaganda, and eventually in film, as well as how it evolved out of early wartime and pre‐war precedents. In addition to detailing the uses and meanings of this (and other) archetypes, the article suggests that comparative analyses of gendered archetypes of collaboration developed in cognate regimes during the same period can help shed light on the extent to which the peculiar circumstances of wartime collaboration often resulted in specific ideas by male collaborationist leaders about the roles women were expected to play under occupation.     

'Walking a Real Tight-rope of Difficulties': Sir Edward Heath and the Search for Stability in Northern Ireland, June 1970-March 1971

Since we know Sir Edward Heath was forced to impose direct ruleover Northern Ireland in March 1972, before launching his governmentinto a series of highly constructive (if unsuccessful) initiativesthat led to the Sunningdale Agreement, his policy and approachtowards the province during the first 18 months of his premiershiphas rarely been seen as anything other than a tale of miscalculation,poor judgement and political ignorance. However, with the openingup of various official papers over the past few years, it isnow possible to offer a more sympathetic assessment of Heath'searly attempts to deal with the situation in Northern Ireland.This assessment suggests that his policy, far from being barrenand directionless, was beginning to evolve in quite innovativeand radical directions as it sought to stabilize and reformNorthern Ireland, directions that, significantly, pre-figurethe various policy initiatives Heath took after 1972. Theseincluded the pursuit of active cooperation between London andDublin, and between Dublin and Belfast, major political changein Northern Ireland, with the full involvement of the minorityin the governance of the region, and a consideration of futureconstitutional relationships between London, Belfast and Dublin.     

Ethnoarchaeology: A Non Historical Science of Reference Necessary for Interpreting the Past

Ethnoarchaeology appears nowadays as a poorly formulated field. However, it could become a real science of reference for interpreting the past if it was focused upon well-founded cross-cultural correlates, linking material culture with static and dynamic phenomena. For this purpose, such correlates have to be studied in terms of explanatory mechanisms. Cross-cultural correlates correspond to those regularities where explanatory mechanisms invoke universals. These universals can be studied by reference to the theories found in the different disciplines they relate to and which are situated outside of the domain of archaeology. In the domain of technology, cross-cultural correlates cover a wide range of static and dynamic phenomena. They allow the archaeologist to interpret archaeological facts—for which there is not necessarily analogue—in terms of local historical scenario as well as cultural evolution. In this respect, it is shown that ethnoarchaeology, when following appropriate methodologies and focussing on the universals that underlie the diversity of archaeological facts, does provide the reference data needed to climb up in the pyramid of inferences that make up our interpretative constructs.     

Cultural policy through the prism of fiction (Michel Houellebecq)

Cultural policy studies tends to talk about fiction without actually using it. A typical move is to place it in an aesthetic realm to be protected, situated and/or critiqued. This is an eminently worthwhile activity. However, this paper explores some ways in which works of fiction may, following their own dynamic, yield significant perspectives upon the world of cultural policy itself. In what ways do fictional works offer us prisms through which to reappraise the worlds of cultural policy? What are the effects of the reconfigurative imaginative play to which they subject the institutions of that world? How are the discourses of cultural policy reframed when redeployed by novelists within free indirect style or internal monologue? The article begins by distinguishing four broad modes in which fictional works refract the world of cultural policy, and then analyses in more fine-grained detail two novels by the leading French writer Michel Houellebecq.     

A History of Depressed Skull Fractures from Ancient Times to 1800

The story of managing depressed fractures illustrates how knowledge of proven value does not always get handed down. Celsus was the first to describe sensible management for depressed fractures. As he wrote in Latin this was forgotten. Galen’s Greek writings survived forming the basis of management until the sixteenth century. In 1517, Hans von Gersdorff published a formidable illustrated surgical text. One illustration depicts an instrument for elevating depressed bone fragments. It looked dramatic but could not work and its defects were finally defined in the eighteenth century. Ambroise Paré used a bone punch just as we do today, but no later surgeon mentions this, though the instrument was well known. Elements of chance, fashion, emotionally powerful illustrations, and perhaps stubbornness had a profound effect on management delaying rational treatment for centuries.