Cartographies of Globalisation,Technologies of Gendered Subjectivities: The Dub Poetry of Jean ‘Binta’ Breeze

By locating the current usage of ‘diaspora’ within today's cultures, I make a case for the unacknowledged subject of Paul Gilroy's black Atlantic world being Western, urban and male. In order to consider the black Atlantic as the site of multiple and heterogeneouslyproduced subjectivities, I turn to the Jamaican performance poet, Jean ‘Binta’ Breeze, whose work stages modern black subjectivities that are Third World, rural, domestic and female. Her poems depict black female subjectivities that are both local and global, articulated more through dancehall culture and radio technology than a ‘cut‐and‐mix’ music style that tends to be male‐identified.     

Stories in Space: The Geographies of Children's Literature

This paper argues for the uses of children's literature in the study of children's geographies. It focuses in particular on the nature of representations of urban space in children's literature, a genre more usually connected with the pastoral and explores the narrative strategies and approaches of children's literature which does venture into the city. I propose five modes in which the city is written for children and ask, from the position of literary criticism which distrusts children's stories' ability to speak for children, how far these modes can be said to coincide with children's lived experience of the city.     

智能大无限

2008年被称为中国的3G元年,伴随TD—SCDMA网络建设、网络升级和3G技术的发展,手机中多媒体、照相、绘图、GPS等功能也不断完善,一个日常的平凡小物被智能点亮,便捷和乐趣就携手而至。 本期体验,邀请四位旅行频繁,追求手机高性能的年轻职业人对市场上颇受瞩目的四款智能手机进行试用评测。感受科技智能带给生活的新发现,新体验。     

Bursting the Bubble: Spatialising Safety for Privileged Migrant Women in Singapore

This paper develops geographical work that is attentive to, and critical of, how safety is lived and narrated. In contrast to previous work on safety that focuses on fear, the paper looks at safety as something more than aspiration for women. To do so, the paper utilises the metaphor of the “expatriate bubble” to explore how safety is constructed and experienced by privileged migrants in Singapore. Utilising research from two projects, we argue that we need to think about how gender and Othering intersect to construct safety. In doing so, we explore how we can use conceptualisations of privileged migrants to research how safety can be understood and therefore practised more widely.     

维也纳咖啡恕不外卖

你忧心忡忡，这也不顺心，那也不如意，就去咖啡馆！ 如果她不能履约前来，无论理由多么充分，去咖啡馆！ 你的靴子穿坏了，去咖啡馆！     

The environmental context of a prehistoric rock carving on the Bjäre Peninsula,Scania, southern Sweden

Palaeoecological analysis of peat deposits from a small bog at Lingården, southern Sweden, have been used to examine the nature and timing of vegetation changes and anthropogenic activity associated with a nearby rock carving located close to the edge of the wetland. This study is the first of its type to investigate the environmental context of rock carvings in southern Sweden. Debate has tended to focus on chronology and iconography, with little consideration of the environmental relationships of rock carvings and how vegetation may help construct a site within its surrounding landscape. The pollen evidence from Lingården demonstrates that the rock carving was located in an isolated semi-wooded setting during the late Bronze Age. This is in stark contrast to several other pollen studies from the Bjäre Peninsula that record widespread woodland clearance and agricultural activity from the late Neolithic–Bronze Age transition. The results of this study support hypotheses that suggest complex rock carvings, such as Lingården, were separated from settled areas. This sense of separation and isolation is reinforced by the vegetation surrounding the rock carving. This paper also discusses the relationship between charcoal in the pollen sequence and evidence that the decorated outcrop had been burnt.     

Non-Local Enemies or Local Subjects of Violence?: Using Strontium (87Sr/86Sr) and Lead (206Pb/204Pb, 207Pb/204Pb, 208Pb/204Pb) Isobiographies to Reconstruct Geographic Origins and Early Childhood Mobility of Decapitated Male Heads from the Majes Valley,Peru

Journal of Archaeological Method and Theory - Throughout much of the pre-Hispanic Andes, bioarchaeological and iconographic evidence shows that the decapitation, dismemberment, and display of human...     

Absurd Avatars,Transcultural Relations: Elia Suleiman,Franco-Palestinian Filmmaking and Beyond

This article illuminates the threads of connection drawing together the work of the Palestinian filmmaker Elia Suleiman and French cultural production, while acknowledging the broader international contexts of these connections. The transcultural relations identified in the article title are a means of articulating these concerns. Suleiman's films, funded by French production companies and supported by French film festivals, have a tacit connection to France. Suleiman's mute self-representation within his films also draws upon auteurist and absurdist tropes familiar to European literature and art in the twentieth century. First discussing the broader cultural and geopolitical contexts of Franco-Palestinian filmmaking, the article then engages closely with critical tropes of the Absurd and human gesture in relation both to the critical reception of Suleiman's films, and the films' aesthetics, specifically in his recent feature films Divine Intervention (2002) and Le Temps qu'il reste/The Time that Remains (2009). Offering an alternative articulation of these complex transcultural relationships, the article explores Suleiman's position as a mute filmic figure and auteur director. It re-opens an often ‘unspoken’ dialogue of Franco-Palestinian cinematic relations which has been frequently designated as historical or political, rather than also and in equal measure, cultural, aesthetic, ethical and personal. At the same time, it seeks to open out these dialogues beyond France and Palestine, towards transcultural relations between Europe, the Middle East, North Africa and North America.     

IS THE ART MARKET MORE BOURGEOIS THAN BOHEMIAN?

Most research on the art market focuses on the high end, composed of auction houses and a few well‐known dealers. In this paper, we use a new database to examine the industry structure and location patterns of the New York art market, which consists largely of small, independent, relatively unknown galleries. We find that Manhattan galleries are highly spatially concentrated, and that clustering reflects both agglomeration economies and preferences over location‐specific amenities. New galleries are more likely to open in neighborhoods with existing gallery clusters, and proximity to other galleries increases establishment lifespan. New galleries also locate in neighborhoods with high population density and more affluent households, consistent with location models of luxury retail. The results are not consistent with the hypothesis that galleries locate in cheap, “bohemian” neighborhoods.