维也纳咖啡恕不外卖

你忧心忡忡，这也不顺心，那也不如意，就去咖啡馆！ 如果她不能履约前来，无论理由多么充分，去咖啡馆！ 你的靴子穿坏了，去咖啡馆！     

The environmental context of a prehistoric rock carving on the Bjäre Peninsula,Scania, southern Sweden

Palaeoecological analysis of peat deposits from a small bog at Lingården, southern Sweden, have been used to examine the nature and timing of vegetation changes and anthropogenic activity associated with a nearby rock carving located close to the edge of the wetland. This study is the first of its type to investigate the environmental context of rock carvings in southern Sweden. Debate has tended to focus on chronology and iconography, with little consideration of the environmental relationships of rock carvings and how vegetation may help construct a site within its surrounding landscape. The pollen evidence from Lingården demonstrates that the rock carving was located in an isolated semi-wooded setting during the late Bronze Age. This is in stark contrast to several other pollen studies from the Bjäre Peninsula that record widespread woodland clearance and agricultural activity from the late Neolithic–Bronze Age transition. The results of this study support hypotheses that suggest complex rock carvings, such as Lingården, were separated from settled areas. This sense of separation and isolation is reinforced by the vegetation surrounding the rock carving. This paper also discusses the relationship between charcoal in the pollen sequence and evidence that the decorated outcrop had been burnt.     

Absurd Avatars,Transcultural Relations: Elia Suleiman,Franco-Palestinian Filmmaking and Beyond

This article illuminates the threads of connection drawing together the work of the Palestinian filmmaker Elia Suleiman and French cultural production, while acknowledging the broader international contexts of these connections. The transcultural relations identified in the article title are a means of articulating these concerns. Suleiman's films, funded by French production companies and supported by French film festivals, have a tacit connection to France. Suleiman's mute self-representation within his films also draws upon auteurist and absurdist tropes familiar to European literature and art in the twentieth century. First discussing the broader cultural and geopolitical contexts of Franco-Palestinian filmmaking, the article then engages closely with critical tropes of the Absurd and human gesture in relation both to the critical reception of Suleiman's films, and the films' aesthetics, specifically in his recent feature films Divine Intervention (2002) and Le Temps qu'il reste/The Time that Remains (2009). Offering an alternative articulation of these complex transcultural relationships, the article explores Suleiman's position as a mute filmic figure and auteur director. It re-opens an often ‘unspoken’ dialogue of Franco-Palestinian cinematic relations which has been frequently designated as historical or political, rather than also and in equal measure, cultural, aesthetic, ethical and personal. At the same time, it seeks to open out these dialogues beyond France and Palestine, towards transcultural relations between Europe, the Middle East, North Africa and North America.     

IS THE ART MARKET MORE BOURGEOIS THAN BOHEMIAN?

Most research on the art market focuses on the high end, composed of auction houses and a few well‐known dealers. In this paper, we use a new database to examine the industry structure and location patterns of the New York art market, which consists largely of small, independent, relatively unknown galleries. We find that Manhattan galleries are highly spatially concentrated, and that clustering reflects both agglomeration economies and preferences over location‐specific amenities. New galleries are more likely to open in neighborhoods with existing gallery clusters, and proximity to other galleries increases establishment lifespan. New galleries also locate in neighborhoods with high population density and more affluent households, consistent with location models of luxury retail. The results are not consistent with the hypothesis that galleries locate in cheap, “bohemian” neighborhoods.     

‘You’re not big,you’re just in Asia’: Expatriate embodiment and emotional experiences of size in Singapore§

This article brings together work on privileged migration with critical geographical work on body size. In uniting these areas together I focus on the role of embodiment within expatriate experiences of migration to Singapore. I argue that despite a developing body of critical work on migration, this work has failed to explore embodied experiences of size. To counter this gap, this research demonstrates the importance of recognising how sized narratives and experiences are shaped through gendered migration and the need to explore the multiplicity of experiences of women in different places of the city. Drawing upon empirical research with expatriate women in Singapore I advance work within critical geographies of body size by presenting original work that challenges dominant and medicalised understandings of fatness as inherently bad. Furthermore, I contribute to the growing area of work that places emphasis on the subjective nature of size through recognition of work on migration. In this article, I explore how migration was embodied and discussed through size, firstly by looking at how women discussed losing their sense of identity. Secondly, the temporal and spatial embeddedness of size. Finally, how women rejected and resisted dominant discourses through humour and indifference.     

Iron Age people of Norway

‘Iron Age People in Norway’ is an interdisciplinary research project. The source material consists of archaeological finds of graves containing human skeletal remains. Archaeological and physical anthropological methods and data will be combined in analyses of the people, their living conditions, aspects of social organization and questions about ethnic groups, using a specially developed computer registration system and database structure. The in‐depth analyses concentrate on the five northernmost counties in Norway, while the catalogue covers the whole country.     

Scarabs of Sheshi at Tell El-ajjul,Contra Kempinski

The find spots of eight scarabs of the Hyksos Pharaoh Sheshi from Tell el-Ajjul in southwest Palestine, excavated by Petrie, are re-examined in detail and found not to agree with the levels attributed to them by Aaron Kempinski in 1983. He argued that these scarabs related to the founding of City II, but some of them actually came from the earlier City III. This may have implications for the correct relationship between two transitions, that from Middle Bronze Age II to Late Bronze Age I in Palestine and that from Dynasty fifteen to eighteen in Egypt. An appendix considers scarabs of Pharaoh Apophis at Ajjul.