Promoting Ethanol in the Shadow of Oil Dependence: 100 years of arguments and frictions in Swedish politics

On a political level, Swedish transport ethanol has always been embedded in visions of an alternative, brighter future. Arguments in support of ethanol have been reiterated throughout the 20th and 21st centuries, exhibiting a striking stability over time. At the same time, the contexts in which arguments for ethanol have been raised have undergone dramatic shifts. This article investigates the historical contingencies of three empirical cases, covering the interwar years, the aftermath of the oil crises of the 1970s and the 21st century's concerns over global warming. It concludes with the observation that despite political convictions about ethanol's commercial, military and environmental potential, domestic production has not managed to take off on its own. It has relied on state support such as tax exemptions, it has been dependent on other industries for feedstock provision and its technical superiority is still waiting for market confirmation.     

Bodies over borders: The sized body and geographies of transnationalism

This article connects the study of transnationalism with the growing area of fat studies. It proposes that a ‘trans-sizing’ approach to the body has the potential to illuminate both accounts of transnational migration and the body. I conclude by outlining two research agendas with the aim of expanding the focus of work on fatness and transnationalism; first, through focusing on (anti)obesity discourse in China, and second, on the relational experiences of migrant encounters in global cities.     

Sites,sacredness, and stories: Interactions of archaeology and contemporary paganism

Folklore has, until very recently, been at the fringes of archaeological research. Post-processual archaeology has promoted plurality in interpretation, however, and archaeology more widely is required to make itself relevant to contemporary society; so, contemporary folkloric practices vis-a`-vis archaeological remains are once again receiving attention. In this paper we examine contemporary Pagan understandings of and engagements with “sacred sites” in England. Specifically, we explore how Pagan meanings are inscribed and constituted, how they draw on “traditional” understandings of sites and landscapes, and instances in which they challenge or reify the “preservation ethic” of heritage management. From active interactions with sites, such as votive offerings and instances of fire and graffiti damage, to unconventional (contrasted with academic) interpretations of sites involving wights and spirit beings, Neolithic shamans, or goddesses, there are diverse areas of contest. We argue archaeology must not reject Pagan and other folklores as “fringe,” but, in an era of community archaeology, transparency and collaboration, respond to them, preferably dialogically.     

Cartographies of Globalisation,Technologies of Gendered Subjectivities: The Dub Poetry of Jean ‘Binta’ Breeze

By locating the current usage of ‘diaspora’ within today's cultures, I make a case for the unacknowledged subject of Paul Gilroy's black Atlantic world being Western, urban and male. In order to consider the black Atlantic as the site of multiple and heterogeneouslyproduced subjectivities, I turn to the Jamaican performance poet, Jean ‘Binta’ Breeze, whose work stages modern black subjectivities that are Third World, rural, domestic and female. Her poems depict black female subjectivities that are both local and global, articulated more through dancehall culture and radio technology than a ‘cut‐and‐mix’ music style that tends to be male‐identified.     

Stories in Space: The Geographies of Children's Literature

This paper argues for the uses of children's literature in the study of children's geographies. It focuses in particular on the nature of representations of urban space in children's literature, a genre more usually connected with the pastoral and explores the narrative strategies and approaches of children's literature which does venture into the city. I propose five modes in which the city is written for children and ask, from the position of literary criticism which distrusts children's stories' ability to speak for children, how far these modes can be said to coincide with children's lived experience of the city.