Georges Perec’s experimental fieldwork; Perecquian fieldwork

This paper traces key themes in contemporary experimental fieldwork – explorations of ordinary places by artists, writers, activists, enthusiasts, students and researchers – to the works of Georges Perec. Preoccupations of this work – including playfulness, attention to the ordinary, and writing as a fieldwork practice – are all anticipated and elaborated in Perec’s oeuvre, where they converge around an ‘essayistic’ approach. Exhibiting these traits, some contemporary fieldwork is more convincingly Perecquian than psychogeographical or Situationist, despite the tendency to identify it with the latter. Through Perec, it is therefore possible to bring contemporary experimental fieldwork into focus, identifying a coherence and sense of project within it, while speaking to the question of what it means and could mean to conduct fieldwork experimentally. Particular attention is paid in this paper to Perec’s most accomplished and sustained field texts, both of which have been translated into English: An Attempt at Exhausting a Place in Paris (2010, from 1975 original in French) and Species of Spaces (1999/1974).     

Pearl fishing in the ancient world: 7500 BP

The oldest pearl in the world was found in the United Arab Emirates and dates from 7500 BP. Gemmologists and jewellers have popularised the idea that the oldest pearl in the world is the 5000‐year‐old Jomon pearl from Japan. Discoveries made on the shores of south‐eastern Arabia show this to be untrue, as the archaeological pearls that have been found are 2500 years older. In this region, pearls still hold an important place. Indeed, today they remain a central, identifying element. The discovery of archaeological pearls demonstrates an ancient fishing tradition that no longer exists today.     

Decolonizing geographies of travel: Reading James/Jan Morris

Travel writing can produce critical 'in-between' spaces, which contribute to broader cultural politics of postcolonialism, by transgressing and in a preliminary sense deconstructing imperial binaries. These imperial binaries structure subjectivities, on the one hand, and material geographies, on the other. This paper examines such a project, through a reading of travel writing by James/Jan Morris, which shows how processes of decolonizing subjectivities and material geographies may be recursively related. Morris is known for newspaper coverage of the 1953 Everest expedition, for a trilogy on the British Empire, for the autobiographical account of a sex change, and for many travel books and articles; all of which foreground themes of gender and imperialism. The paper argues that Morris's decolonizations have charted and created in-between spaces of subjectivity and material geography, ambivalent spaces with critical potential. The ambivalence of these spaces can constitute a critical limitation, but also an opportunity; in response, the conclusion redirects some critical attention away from writers and textual spaces to readers and interpretations, and thus points towards a postcolonial (and wider) politics of reading.     

Foucault and museum geographies: a case study of the English ‘Renaissance in the Regions’

This paper explores the subject of museum geographies, focusing particularly on the development of museum policies in a changing political context. The empirical focus is the emergence and transformation of the museum programme Renaissance in the Region, which is linked to the concepts of primary, secondary and tertiary spatialisations presented by Michel Foucault. The paper discusses the development of the programme and how it transformed aspects of the primary, secondary and tertiary spatialisations of museums in England, before focusing attention on the geography of school visits to museums. The results of two extensive studies of school visits to museums in the programme suggest that large numbers of visits come from schools located in areas with high indices of multiple deprivation and income deprivation affecting children. It is argued that this social geography reflects the tertiary spatialisation of museums linked to their emergence in areas of past industrial development, although practices linked to reconfigurations of the primary and secondary spatialisation as part of the Renaissance in the Regions programme may also have played some role. The paper concludes by discussing recent changes in government policy and the degree to which the ‘New Renaissance’ policy may signify reductions in the social reach of museums into areas of social deprivation and exclusion.