Between the Vinča and <Emphasis Type="Italic">Linearbandkeramik</Emphasis> Worlds: The Diversity of Practices and Identities in the 54th–53rd Centuries cal BC in Southwest Hungary and Beyond

Perhaps nowhere in European prehistory does the idea of clearly-defined cultural boundaries remain more current than in the initial Neolithic, where the southeast–northwest trend of the spread of farming crosses what is perceived as a sharp divide between the Balkans and central Europe. This corresponds to a distinction between the Vin?a culture package, named for a classic site in Serbia, with its characteristic pottery assemblage and absence of longhouses, and the Linearbandkeramik (LBK), with equally diagnostic but different pottery, and its apparently culturally-diagnostic longhouses, extending in a more northerly belt through central Europe westward to the Dutch coast. In this paper we question the concept of such a clear division through a presentation of new data from the site of Szederkény-Kukorica-d?l?. A large settlement in southeast Transdanubia, Hungary, excavated in advance of road construction, Szederkény is notable for its combination of pottery styles, variously including Vin?a A, Ra?i?te and LBK, and longhouses of a kind otherwise familiar from the LBK world. Formal modelling of its date establishes that the site probably began in the later 54th century cal BC, lasting until the first decades of the 52nd century cal BC. Occupation, featuring longhouses, pits and graves, probably began at the same time in the eastern and western parts of the settlement, starting a decade or two later in the central part; the western part was probably the last to be abandoned. Vin?a pottery is predominantly associated with the eastern and central parts of the site, and Ra?i?te pottery with the west. Formal modelling of the early history of longhouses in the LBK world suggests their emergence in the Formative LBK of Transdanubia c. 5500 cal BC followed by rapid dispersal in the middle of the 54th century cal BC, associated with the ‘earliest’ (älteste) LBK. The adoption of longhouses at Szederkény thus appears to come a few generations after the start of this ‘diaspora’. Rather than explaining the mixture of things, practices and perhaps people at Szederkény with reference to problematic notions such as hybridity, we propose instead a more fluid and varied vocabulary, encompassing combination and amalgamation, relationships and performance in the flow of social life, and networks; this makes greater allowance for diversity and interleaving in a context of rapid change.     

Domestic abuse and the public/private divide in the British military

Divisions between the social spheres of public and private are always fluid, mutually constitutive, and politically and socially formulated. Within the British military, such divisions are further framed through the needs of operational effectiveness. In the pursuit of operational effectiveness the public/private divide functions at times as porous, in large part through the military's provision of services such as housing, welfare and policing to personnel and their families and through the notion of a close-knit military community, and at others as firm, bolstering operational effectiveness through recourse to militarised ideas of the private sphere as the fixed space of hearth, home and femininity which is to be protected by military force. This article employs narratives of domestic abuse as a window through which to analyse enactments of the public/private divide in the British military. The analysis draws upon interview participants' experiences of abuse and of help-seeking to illustrate the complex and fluid ways in which the prioritisation of operational effectiveness frames and delimits the public and the private within the contemporary British military in relation to domestic abuse. The impacts of this upon victim-survivors' help-seeking experiences are discussed.     

Broken Windows Policing and Constructions of Space and Crime: Flatbush,Brooklyn

While broken windows policing has triggered explosive debates about law enforcement and racism across US cities, it has maintained considerable support by racialized urbanites. Focusing on Flatbush, Brooklyn, this paper seeks to understand the striking resilience of broken windows in inner‐city contexts. It uses Laclau and Mouffe's discourse theory to analyze dialogue at Precinct Community Council meetings and interviews with attendees. The paper makes the case that the New York Police Department normalizes broken windows through discursive constructions of social space and crime that naturalize the precinct scale, produce spatial meanings, and cast social difference in the mold of broken windows theory. The article illustrates beyond the politics of racialized fearmongering, the normalization of broken windows also occurs through this meticulous production of geographic knowledge. It also emphasizes that deconstructing the way the police portray space and crime provides signposts for substantive reform to broken windows.     

Culture on the Moon: Bodies in Time and Space

This paper investigates whether the term ‘culture’ can be applied to the six Apollo lunar landing sites, and how the remains at these sites can be understood as the actions of bodies at a particular moment in space and time.     

Marbles,granites and basalt used in the cruciform basilica of Abila (Decapolis,Jordan): archaeometric characterization and provenance

The provenance of granite, basalt, and marble used in building the cruciform basilica of Abila of the Decapolis, northwestern Jordan, is investigated using chemical and petrographic techniques. The basilica is dated to the late fifth or early sixth century AD. The stones were characterized using macroscopic traits in combination with optical microscopy, X-ray diffraction, and stable oxygen and carbon isotope spectrometry. These data were compared to the published databases for marbles, granites, and basalts used in antiquity. The comparison showed that the basalts are most probably local. The islands of Marmara (Proconessos-1), Turkey, are the primary source of the white marbles, while Paros island (Paros-2), Greece, is a minor source. The source of the green Cipollino marbles is Styra in the island of Euboea (Greece). The pink and gray granites are likely microasiatic from the Çigri and Kozak Dâgs, respectively, northwest Turkey.