Tell Abraq during the second and first millennia BC: site layout,spatial organisation,and economy

Research recommenced at Tell Abraq in 2007, carried out by Bryn Mawr College with an international team in co‐operation with the Sharjah Archaeology Authority. Between 2007 and 2010 fieldwork was limited to documenting sections of the previous excavations and one small sounding while our attention focused mainly on the nearby shell‐midden site of Hamriya and the fortified Iron Age settlement site of Muweilah. Since 2010, large‐scale excavations have been conducted which have fundamentally altered our understanding of the layout of the settlement and its economic relations during the second and first millennia BC. In this report, we detail the results of this work and present preliminary interpretations.     

Emancipatory or Neoliberal Food Politics? Exploring the “Politics of Collectivity” of Buying Groups in the Search for Egalitarian Food Democracies

In the context of apolitical tendencies in food studies, this paper explores how alternative food networks can contribute to developing emancipatory food politics rather than constitute a tool to reproduce neoliberal subjectivities. For this purpose, I contend that the post‐political literature offers a useful approach to examining the concept of food politics by developing a more robust theoretical framework, permitting the establishment of linkages with broader contemporary processes of social change. The analysis of an action‐research process with buying groups in Spain is used to examine the “politics of collectivity” at play, that is, how these initiatives institutionalise “the political”. Specifically I explore the motivations mobilised to construct place‐based ethical repertoires and unveil how these groups govern the relationality of consumption practices in the pursuit of broader processes of change. I conclude by discussing the contribution of these initiatives to building egalitarian food democracies.     

Textual Authority and Its Naturalization in Liang Shuming's Dong–Xi wenhua ji qi zhexue

This article discusses how Liang Shuming's Dong–Xi wenhua ji qi zhexue (Eastern and Western Cultures and Their Philosophies) adopted a genealogical mode of textual authorization which took shape in its depiction of Chinese history as a failure to live up to an ideal way of life imagined by Confucius. Implied in this discourse was the idea that Liang himself had been the first Confucian to understand what Confucius had truly meant. This genealogical discourse authorizing Liang and his text by linking them directly to Confucius was further strengthened by a rhetoric which naturalized the discourse passed down from Confucius to Liang, distinguishing it from other forms of discourse seen as artificial. Finally, the text's genealogical discourse also managed to incorporate the May Fourth critique of Confucianism by rejecting the historical manifestations of Confucianism before salvaging an ideal imagined by Confucius which was presented as uncontaminated by history and Confucianism's enmeshment in state power.     

The Dancers Who Became Transformed into Wood: the mai masks of the Iatmul,Papua New Guinea

Borrowing, exchanging, and violent appropriation of ritual artefacts have been actions that have contributed to the development of cultural diversity within a particular frame of variations in the Middle Sepik region of Papua New Guinea. The mai masks of the Iatmul, already mentioned by Bateson, are the well‐documented result of a violent appropriation, as indigenous evidence shows. However, the ‘model’ which served for the mai were ritual dancers captured in the Alexander Mountains. These dancers displayed heavily painted faces (but no masks) and rich body decoration. In the process of making the powerful ‘model’ into one of their own, the Iatmul artists transformed the painted faces into carvings according to their preferred material of artistic expressions, wood, and their predilection for the interplay of elevated and deepened surfaces. As this article shows, the creation of mai as (enlivened) persons needs the establishment of socio‐cosmological relationships in which ancestral spirits and ‘natural’ substances are crucially involved. Thus, apart from sculpting as making, actions of growing are essential for turning the masks into beings endowed with ancestral power.     

Lead‐Glazed Rustiques Figulines (Rustic Ceramics) of Bernard Palissy (1510–90) and his Followers

The glaze chemistry of a group of rustiques figulines attributed to the renowned French potter Bernard Palissy (1510–90), or to his followers and imitators, has been determined non‐destructively using PIXE and PIGE analyses. The glazes are all lead silicates, the colourants being transition metal oxides—CuO, CoO, MnO and Fe₂O₃—with a small addition of SnO₂ to some of the glazes being common. Some distinction can be made between the various fabricated objects based on details of the overall composition and on the concentrations of the various colourants. The presence of B₂O₃ in any glaze, even in quantities as small as 0.1–0.3%, indicates a post‐16th century production. Additionally, B₂O₃ in larger quantities, a few per cent or greater, very probably indicates an 18th–19th century production. However, at least one object known to be of 19th century production contains no B₂O₃.     

Variety of Black and White Limestone Tesserae Used in Ancient Mosaics in Slovenia

This study concerns the microfacies characterization of white and black limestone tesserae from selected Roman floor mosaics in Slovenia, with the aim of defining their provenance. We investigated 42 tesserae from 15 different mosaics from the archaeological sites of Ljubljana, Izola, Mo?nje, Ptuj, ?rnomelj and ?entpavel, dated from the first century bc to the fifth century ad . Among the studied tesserae, 13 different microfacies were identified: eight black and five white. The most common were mudstones with ostracods (65% of black tesserae) and wacke‐packstones with miliolids (85% of white tesserae). The majority of the identified facies can be found in the Cretaceous successions of the Dinaric Carbonate Platform in south‐western Slovenia, north‐eastern Italy and south‐eastern Croatia, suggesting a regional or imported origin of the tesserae.