Modern roads as UNESCO World Heritage sites: framework and proposals

There has been noticeable development in the protection of linear infrastructure by UNESCO, whether on its cultural, technological or historical merits. However, with the exception of other means of transport incorporated within the field of industrial archaeology or recognised by the CIIC under the category of cultural routes, little or no consideration has been given to roads built from the mid-eighteenth century to the early part of the twentieth century. In view of this situation, this paper has the following aims. Firstly, to define the concept of ‘modern road’ and provide a brief analysis of the historical development and current situation of the same. Secondly, to assess the main contributions made to date regarding the heritage dimension of modern roads. Thirdly, to reconstruct the process of defining linear cultural landscapes, historic transportation corridors, cultural routes and heritage canals, railways and roads, in accordance with the considerations raised by ICOMOS and UNESCO. Finally, to contribute to the debate on the definition, characterisation and assessment of modern roads as world heritage assets, both intrinsically and in relation to established heritage categories.     

Processes of Formation and Alteration of Archaeological Fire Structures: Complexity Viewed in the Light of Experimental Approaches

The aim of this article is to present an experimental approach for studying the formation and transformation processes of archaeological fire structures. We present a synthetic review of our experimental project, which was developed in many different natural archaeological contexts. We report the results and problems associated with experimental fires lit on different kinds of soils and in different environments, followed by the observation of natural and anthropic transformations. Finally, we analyse the nature and significance of these results for the archaeological interpretation process, while describing some general trends and showing the complexity of the approach.     

Phytolith evidence for hearths and beds in the late Mousterian occupations of Esquilleu cave (Cantabria,Spain)

Esquilleu cave site has provided a moderately well preserved archaeological cave deposit from the Late Pleistocene in the Cantabrian area. Phytolith quantification, identification and determination of the refractive index have been carried out, together with FTIR analyses, from sediment samples collected in the profile. The comparison of the data obtained with the previous micromorphological results allows us to make inferences about the site formation processes and the Neanderthals use of the cave. Phytolith results show the presence of grass leaves nearby the hearth suggesting the repetitive existence of a bedding zone on the same area. Neanderthal behavioral patterns should be revised on the light of high resolution analyses, since diagenetic processes can obscure the existence of differentiated activity areas in the site.     

Sourcing ceramics with portable XRF spectrometers? A comparison with INAA using Mimbres pottery from the American Southwest

Seventy-five intact Mimbres and Jornada pottery sherds from the American Southwest were analyzed by portable XRF and instrumental neutron activation analysis (INAA). Examination of the data demonstrates that INAA and portable XRF results for elements common to both analyses can be used to construct similar compositional groups. When individual compositional groups are compared to one another, it is apparent that unambiguous separation of compositional groups is challenging by portable XRF given (1) the limited number of key discriminating elements that can be measured relative to INAA, and (2) the relative analytical precision and accuracy of portable XRF for measurements of intact heterogeneous ceramics. We conclude that sourcing intact ceramics by portable XRF is challenging and that bulk analytical measurements, such as INAA, remain a better approach for sourcing archaeological pottery.     

Producing African-descent: afro-peruvian music,intangible heritage,authenticity and bureaucracy in a Latin American music compilation

ABSTRACT

Policy and actions for the safeguarding of Intangible Cultural Heritage (ICH) are laced with politics of representation and meaning-making of expressive culture within and outside communities. This article explores how ICH experts, practitioners, activists, and other actors negotiate and re-construct ideas of racial identity and authenticity in one such initiative. Sponsored by CRESPIAL in 2012, the album Cantos y Música Afrodescendientes de América Latina is a compilation of music of Afro-descendant communities in Latin America. Conceived as a project for safeguarding the musical ICH of these communities, it involved participation from thirteen Latin American governments. This paper, centered on the Peruvian participation in this project, studies the bureaucratic intricacies of this project, exploring how ideas on racial identity and authenticity overlap with political agendas and administrative requirements in order to produce a unified representation of ‘Afro-Latin American’ music. My analysis highlights 1) the local knowledge systems that inform the ideas of racial identity and authenticity advanced by the project’s actors; 2) their adopted strategies within Peru’s bureaucratic network of heritage management; and 3) the positionality, capacity and agency of each actor for achieving their particular goals in this collaborative project.     

ZONING A CROSS‐BORDER CITY

This paper investigates zoning in a cross‐border linear city that consists of two bordering towns. In each town, a local regulator has a say in the location of the local firm. We find that local regulators may use zoning strategically. The incentive to gain consumers from the other town, or not to lose local consumers, may push regulators to approve only locations for firms close enough to the frontier. When zoning is costly an asymmetric equilibrium may emerge: only one regulator resorts to zoning. In the case of towns of different sizes, the regulator of the larger town is the only one that zones in an asymmetric equilibrium.     

Balbuena's Grandeza mexicana and the American Georgic

Bernardo de Balbuena’s Grandeza mexicana (1604) stands between two worlds. One of the earliest and most spectacular poetic celebrations of the wonders of the city of Mexico, this text was addressed both at the American and the Spanish audience, producing a duplicitous message. The capital of New Spain is presented as one of the most loyal and productive colonies of the Hispanic empire, though it is also celebrated for its economic autonomy and cultural supremacy with regards to the metropolis. These dualisms are also noticeable in the poetic style of Balbuena’s work, which, following the traditional idea of the Wheel of Virgil, adopts old classical models to portray the New World whilst anticipating Baroque poetics. Following the example of Virgil, Balbuena fashioned his literary career as a process organised in three distinct evolutionary stages, beginning with a bucolic text, Siglo de Oro en las selvas de Erífile, and culminating with an epic poem, El Bernardo. Grandeza stood between these two, adapting the rural setting of the Georgics to an urban context, and offering an idealised account of the Virgilian praise of human industry, which placed Balbuena and the other members of the lettered class on the forefront of Mexican society.