“It is loved and it is defended”: Critical Solidarity Across Race and Place

Since 2010, the Wixárika (Huichol) indigenous people of western Mexico have struggled against transnational mining activity in their sacred pilgrimage site of Wirikuta in the semi‐desertic plateaus of San Luis Potosí. This struggle has been accompanied by a multitude of non‐indigenous and largely urban actors who have joined the Wixárika, bringing with them their own cultural, political and geographic registers for understanding and mobilising against mining in the region. Taking Wirikuta as a contemporary demonstration of interracial and cross‐geographic alliance building, I analyse how social movements that express solidarity and affective ties with the territories and cultures of indigenous peoples struggle to unsettle entrenched racial and spatial relations.     

More than trees: The challenges of creating a geodatabase to capture the complexity of forest history

European forests have been copiously documented for centuries. However, forest-related archival sources were rarely utilised to their full potential, mainly because of the difficulties in producing compatible data from large amounts of very different sources. Furthermore, analysing such data for larger areas in high resolution was hardly possible prior to the emergence of historical GIS. This paper presents the geodatabase of the LONGWOOD project, which includes tens of thousands of pieces of information on forest history from the 11^th to the 20^th century for 3,567 townships in the eastern Czech Republic (c. 27,000 km²). The paper describes the challenges we met, briefly summarizes the results, evaluates the database in a worldwide context and introduces possible directions for future research.     

María Zambrano amongst the philosophers. An introduction

ABSTRACT

As the Spanish Civil War (1936-1939) came to an end, hundreds of thousands of Spaniards who had opposed the military rebellion which initiated the war and remained loyal to the democratically elected government were forced into exile. Amongst them was the philosopher María Zambrano (1904-1991). While little known to an English-speaking readership, she represents a unique voice engaging with some of the fundamental problems of our times. Her life was marked, like that of her contemporaries Benjamin, Husserl, Arendt, Pato?ka, Adorno, Lacan, Derrida and Blumenberg by the crisis of modernity culminating in the two World Wars. Her work is part of the same philosophical debates, currents and problems facing the Europe of her time. The aim of the volume María Zambrano amongst the philosophers, introduced in this article, is to focus on the links between Zambrano’s thought and a wide range of themes and ideas associated with these other European thinkers. A summary of Zambrano’s main philosophical concepts and preoccupations is also offered to help the reader situate the translated anthology of texts by the philosopher included in the volume.     

Digital Technology and a Community Framework for Heritage Rock Art Tourism,Makgabeng Plateau,South Africa

Using digital technologies in the process of collecting and documenting oral heritage allows previously marginalised voices to feed into heritage and historical narratives for rock art heritage tourism. Literary heritage narratives have tended to dominate the dissemination of information on African heritage, whereas African cosmologies and oral traditions are the intangible values of place that attract visitors to heritage sites. In the Makgabeng, oral heritage narrated through stories, songs, dances and poetry and collected using digital technologies will help preserve African values threatened by the onslaught of Western ones, especially through written European languages and social media. The Makgabeng Community Rock Art Project re-values the role of elders in sustainability of heritage tourism initiatives and the integration of a community structure as a sustainable “ready-made” framework to heritage management in Africa.     

Collections,Collecting and Collectives: Gathering Heritage Data with Communities in the Mountains of Matatiele and Lesotho,Southern Africa

Gathering digital data is a twenty-first-century research concern. Working in the previously undocumented region of the Eastern Cape’s former 'Transkei' homeland presents several data collection opportunities and obstacles. Local community collectives can vastly enhance the data collection process, aiding in administration, field walking, translation and—as trained archaeologists—excavation and rock art documentation. In the last 7 years, the Matatiele Archaeology Rock Art (MARA) team has discovered over 240 archaeological sites, the vast majority of which contain rock art. The principal investigator (PI), postdoctoral fellows, technical skills specialists and students have all engaged with, helped train and benefitted from field technicians chosen by the local communities to work with us. With their help, we have undertaken excavations and taken thousands of documentary photographs. We have documented oral traditions and the indigenous knowledge of local healers, all of which research is produced, and stored, digitally and requires preservation in perpetuity. The present contribution outlines some of the many and varied ways in which this programme has undertaken these tasks, in the endeavour to redress the imbalance in this region’s history.     

Settlement and Trade from AD 500 to 1800 at Angoche,Mozambique

Angoche was an important historic trading port on the northern Mozambique coast. A maritime archaeological survey was undertaken of the islands and mainland to study Swahili trade, clarify the sequence of settlement development and record the exploitation of resources during the medieval and post-medieval periods. Previous archaeological investigations have revealed local ceramics from the early second millennium AD and imports from the late fifteenth century. According to oral traditions and ancient sources, Angoche’s growth is associated with the arrival of coastal settlers from Kilwa in 1485. The survey revealed evidence for occupation dating from c. AD 500 and trading evidence from the late first millennium AD. Artefacts from the thirteenth to sixteenth century on the islands are similar to those found at Kilwa and Sofala, which shows a link to Kilwa earlier than the oral traditions and the name of one of the Angoche Islands ‘Quilua’, is Kilwa in Portuguese. The islands are well resourced in terms of rice, mangrove wood, seafood and farmland and offer sheltered inlets and access to the coastal trade route. The name of Angoche relates to a port of call and the presence of ninth-tenth-century- storage vessels from southern Iran supports this theory. Traded glass and ceramic artifacts and beads increase from the late medieval period revealing that Angoche became an important and wealthy entrepôt. The lack of coral limestone and reef coral, on the sandy Angoche Islands, indicates some building materials would have had to have been imported. Although many buildings would have been made of wood, some stone ruins are likely to have been demolished and burnt to make lime. The original stratigraphy of many sites has been destroyed by aeolian and marine processes but the survey has shown that valuable information on settlement location and ethnographic practices can still be recovered.     

Mapping cultural policy in Portugal: From incentives to crisis

Abstract

Taking into account the course of cultural policy in democratic Portugal, and against the backdrop of the international crisis of 2008 and the sovereign debt crisis of 2011, this article seeks to interpret recent changes in the cultural sector in Portugal. Using both qualitative and quantitative methods it focuses on three main aspects: institutionalisation of democratic cultural policy; government funding; cultural organizations and facilities. The 2008 crisis put an end to a period in which investment tended to grow. We place Portugal in the broader European context, concluding that the Portuguese cultural scene may once again diverge from that of other European countries.     

Paradigms of participation in the National Council for Culture and Arts: challenges on representation,recognition, access to creation and reception in post-dictatorship Chilean public cultural policy

The National Council for Culture and Arts (NCCA) is the public agency responsible for the implementation of cultural policies in Chile. It was created in 2003 as part of a group of public organisms designed to promote democracy in post-dictatorship Chile, and its objectives include the encouragement of citizen participation in the national culture. This paper aims to call into question the scope and limits of citizen participation in the Chilean cultural field, through a systematisation of paradigms implicitly developed by the NCCA. Those paradigms include participation on the political level, the creation of symbols, recognition of cultural manifestations and access to reception and symbolic appropriation. It identifies challenges of these paradigms regarding representation, recognition, access to creation and reception of cultural manifestations.