Captain Canuck,audience response,and the project of Canadian nationalism

This paper addresses the role of comic books in interpellating national identities, locating the process of national identity formation in the interplay between popular culture producers and their audiences as described by Althusser (1977 Althusser, L. 1977. Lenin and Philosophy and Other Essays, London: New Left Books.  [Google Scholar]) and McGee (1975 McGee, M. 1975. In search of ‘the people’: a rhetorical alternative. Quarterly Journal of Speech, 61: 235–249. [Taylor & Francis Online], [Web of Science ®] , [Google Scholar]). The empirical section of this paper focuses on Captain Canuck, a Canadian-produced comic book originating in the 1970s and sporadically published through the present day. The authors engaged in a qualitative content analysis of the Captain Canuck comic books, searching for themes and markers of Canadian-ness and looking for audience identifications with those themes and markers in the ‘letter to the editor’ columns published within the comic books themselves. The study finds that through the many incarnations of Captain Canuck various versions of Canadian identity have been projected, with varying degrees of support by the readership. The role of the USA in Canadian identity formation looms large, especially in the positioning of Canadian quality and multiculturalism against the tacitly American lack thereof. Another finding of this research is that there has been a fundamental change in the way Canadian identity is structured as a new, commercially driven Canadiana culture industry has arisen since the 1970s.     

Giving new meaning to religious conversion: Churches,redevelopment, and secularization in Toronto

Research on secularization has increased in recent years, particularly amongst urban geographers. Yet the debate is still dominated by competing theories that generally fail to account for the many institutions that impede and facilitate religiosity on the urban landscape. This article is about the role that land use planning regulations have had on changes to the religious landscape in Toronto. The empirical focus is on former churches that have recently been converted to residential uses. The larger conceptual goal is to explore the extent to which these transitions affect the religious landscape in the city and to determine what they can tell us about broader processes of secularization.     

Pivotal Politics,Presidential Capital,and Supreme Court Nominations

We analyze the Supreme Court nomination process in order to provide a general explanation of presidents' propensity to win confirmation battles even in the face of an ideologically hostile Senate. The analysis serves two purposes. First, we argue that employing the conventional measure of the Senate's power to constrain the president's choice of nominees–the median senator–provides an inaccurate picture of this process. In its stead we argue that the filibuster pivot (or the sixtieth most liberal or conservative senator) more accurately captures the Senate's power over the president (Krehbiel 1998). Second, we argue that even under this more stringent spatial constraint, presidents still have the ability to win most confirmation battles with the Senate. Indeed, our results indicate that presidents often overcome situations where the Senate should reject their nominees, or where it should force them to make a less desirable choice, by invoking political capital.     

Towards new (graphic) narratives of Europe

The cultural policy of the European Union (EU) has become more important than before as economic crisis threatens to undermine the EU’s nascent political identity. This paper offers graphic narrative (or comics) as a medium particularly suited to the task. This suitability results from several features: (1) the text/image hybridity of comics, which eases translation into multiple languages; (2) the topological aspect of graphic narrative, in which panels compose a spatial network of relations of various intensities that is isomorphic with the theorization of European space offered by a key EU think tank; and (3) the potential for comics of the ‘everyday’ to narrate a plural, non-didactic identity with which both Europeans and others can identify. It is hoped that a policy such as this could have a more positive influence on the more territorial, exclusive notions of the EU.