The Tyranny of the Serial: Popular Geopolitics,the Nation,and Comic Book Discourse

Abstract: This paper seeks to theorize the structuring of geopolitical worldviews and attitudes by the comic book medium and by serial popular culture more broadly. Evidence of the use of comic books to promote specific discourses by geopolitical actors is presented, and the conventions that govern the limits of comic book narration are outlined. Among the conventions of production discussed are the role of “continuity” as a structuring force and the serial nature of most comic books. The impact of these conventions is viewed through an examination of Watchmen and Captain America comic books. Both series revolve around issues of political legitimacy and the structuring of geopolitical space, but do so in different ways. This leads to insight connecting seriality with the concept of the nation itself. Finally, a theorization of the limits to comic book and other serialized discourse is outlined, and its ultimately conservative political outcome is described as endemic to the genre.     

The Political Aesthetics of Middle Class Housing in (not so) Neoliberal Mozambique

This article explores the social and material repercussions of middle class aspirations in a system that is still infused by socialist aesthetics in Maputo, Mozambique. We argue the activation of “middle classness” reproduces ingrained inequalities and boundaries. This is demonstrated through two ethnographic case studies of urban housing, long central to imaginaries of prosperity. First, fearing downward mobility, members of the upper middle class seek to embody a liberal ideology of “autonomy”, while simultaneously being dependent on state structures. Second, members of the lower middle class attempt to create enclaves to experiment with forms of privatisation normally only accessible to a privileged elite. Through this examination of the ways in which a spectrum of privileged urbanites attempts to secure their position in the face of a precarious future, the article outlines middle classness under contemporary capitalist conditions and how this is shaped by the legacies of the past.     

Narrating urban assemblages—Chris Ware and Building Stories

This article takes up the recent interest in assemblage theory in urban geography and considers the potential for art to contribute to our narrations of urban assemblages. In particular, it uses Chris Ware's recent magnum opus, Building Stories, as not only an account of the urban as an assemblage, but to indicate more broadly the way in which comics might be used to narrate urban assemblages in ways that highlight their multiplicity and plurivocality. The article draws out three themes in its analysis of Building Stories: more-than-human subjects, the various temporalities of the city, and the way memory and narrative are emergent from urban assemblages.     

Aleatory Sovereignty and the Rule of Sensitive Spaces

Addressing life in borders and refugee camps requires understanding the way these spaces are ruled, the kinds of problems rule poses for the people who live there, and the abilities of inhabitants to remake their own lives. Recent literature on such spaces has been influenced by Agamben's notion of sovereignty, which reduces these spaces and their residents to abstractions. We propose an alternate framework focused on what we call aleatory sovereignty, or rule by chance. This allows us to see camps and borders not only as the outcomes of humanitarian projects but also of anxieties about governance and rule; to see their inhabitants not only as abject recipients of aid, but also as individuals who make decisions and choices in complex conditions; and to show that while the outcome of projects within such spaces is often unpredictable, the assumptions that undergird such projects create regular cycles of implementation and failure.