A Test of Ideological Bias in House Subcommittees, 1979-2000

Committees play a pivotal role in the legislative process. Since the mid-1970s, subcommittees have been important in the lawmaking process as well. Given this enhanced performance, the membership of subcommittees can be a key element in the direction that the legislative process takes. In this article, we develop and test a set of expectations regarding the ideological makeup of subcommittees. Resting firmly on the shoulders of Cox and McCubbins (1993), we assert that those subcommittees with particularized interests will possess memberships which are ideologically distinguishable from their parent committees, while those that affect a wider range of interests will have contingents ideologically indistinguishable from their parent committees. Employing a Monte Carlo simulation technique on ideological composition data of members of subcommittees of the House Appropriations and Ways and Means Committees from the 96th to 106th Congresses, we expect to find that the occurrence of subcommittee outliers are generally consistent (with some notable exceptions) in their direction over time. Additionally, we test the hypothesis that there were no significant changes in the mix of subcommittee outliers from the 103rd to the 104th Congresses and beyond. We find that the change in partisan control of the House resulted in few shifts in outliers.     

On Will and Reason in L'astrée

This article sheds light on the technique of amplificatio by which Boccaccio expands the stories of famous women he finds in Valerius Maximus's De fide uxorium. Boccaccio's work on famous women situates itself between the genres of fiction and the historical treatise. It analyzes in philological detail Boccaccio's citation technique and his elaboration of the ancient model, showing how the greatest narrator of the Italian Middle Ages revitalizes and actualizes it and crafts an original literary product.     

Displacing Barthes: Self,Other and the Anxiety of Theory

This article explores the relationship between the other and the writing self in three of Barthes's works and shows how the anxious and changeable state of the ‘je’ unsettles conceptions of ‘theory’ and its analytical object. Barthes attempts to conceptualise cultural otherness in Mythologies, L'Empire des signes and Incidents, and, on one level, his fantasies of encounter serve to displace or unground the writing ‘self’. On another level, however, the theorist's persona in these works turns out to be disorientated and unnerved by these displacements, and he couples his jubilant self-dissolution with a longing for a sense of origin or ground. Barthes as a result remains undecided about his positioning within his own discourse, and his works demonstrate the necessary interpenetration of theories of alterity with the contradictory subjective and affective desires of the writing self. The aim of the piece is ultimately to argue that, for its very flaws and inconsistencies, Barthes's writing about otherness may help us to understand the challenges and deficiencies of postcolonial conceptions of cultural difference.     

Nineteenth-century Irish Anacreontics: the literary relationship of James Clarence Mangan and Thomas Moore

The odes of the ancient Greek poet Anacreon, celebrating wine, women and song, were made newly popular in the nineteenth century through the efforts of Thomas Moore, a writer whose first volume of verse, a loose translation of the Odes of Anacreon, published in 1800, marks him out today as a poet of Romantic sociability par excellence. I argue that the Anacreontic ode popularised by Moore continued to resonate through nineteenth-century Ireland – albeit in a heavily mediated form – in the work of the poet's successor, James Clarence Mangan, who picked up the cup in the series of drinking songs he wrote periodically throughout the 1830s and 1840s, the decades during which Mangan sank into alcoholism and emotional estrangement. The easy charm of Moore's Anacreontic song mutates in Mangan's verse into a more complex, often allusive and fragmented form, a perverse Anacreontics, which corresponds both to the poet's psychic trauma (his alcoholism and self-alienation) and to a broader cultural and political dislocation experienced by Ireland under British rule. This discomfort is registered in Mangan's verse in the playful refusal of a single authorial voice and in the poet's tendency both to ventriloquise and to distort influence – not just that of Moore but also of the British Romantics, notably Byron and Coleridge.     

An Expanding Aboriginal Domain: Mobility and the Initiation Journey

Some pre‐circumcision candidates in the Western Desert culture area are taken on a journey to gather people for the final ceremony. Since Aboriginal people started to own cars in the 1960s, these journeys have expanded to such an extent that the outward journey discussed here covered 2250 km. The question of why it is the initiation ceremony, rather than some other ceremonial form, that is becoming the basis for the integration of this expanding Aboriginal domain is addressed and the fragmentary evidence on the historical growth of the journeys presented. Three kinds of ceremonial integration are distinguished and a suggestion made as to why it is the initiation form that is the focus of this expansion.     

Rooms of Their Own: Public toilets and gendered citizens in a New Zealand city, 1860‐1940

Differences in the provision of public toilets for men and women point to the gendering of citizens. In the later nineteenth century, provision of public toilets in the city of Dunedin centered on the management of male bodies as the meaning of 'public decency' was transformed, while women were catered for as consumers. By the beginning of the twentieth century, when provision for women became a public issue, it was debated in terms of women's special character as citizens. The bodily and spatial characteristics of public and private were renegotiated around this issue: as women became more public, toilets became more private. This article draws on debates about the sexed and gendered body in public space, maternal citizenship, the civilising and modernising of landscapes and bodies, and shifting conceptions of privacy and public.