The Transition to History in Southeast Asia: An Introduction

Studies of the transition from prehistory to history in Southeast Asia have traditionally relied primarily on documentary sources, which tend to emphasize foreign influences, rather than on the archaeological record, which suggests a series of indigenous developments. The papers in this journal issue and the next discuss strategies for using both documentary and archaeological evidence to study the transition to history and the emergence of early states in the region. These papers investigate how political units were structured and integrated in Cambodia, Thailand, Malaysia, the Philippines, and South China, and illustrate how historical and archaeological data can cross-check each other to inform on Southeast Asian sociopolitical and economic developments during the early historic period.     

(Re)Writing With the Feet: The Flâneur as Urban Cartographer in Alicia Scherson’s Film Play (Chile, 2005)

This article approaches Chilean filmmaker Alicia Scherson’s first feature-length film, Play (2005), from the perspectives of mobility and social cartography in relation to the spatial practices of the main characters. Through the paradigmatic figure of the flâneur, the article explores the representative function of both the characters’ and the camera’s drifting itineraries across the city, as they subtly perform a peripatetic cartography of present-day Santiago. The diegetic threads that are spun by the characters progressively interlace to weave an urban text which lays bare – as they are transgressed – a series of frontiers that cut across the cityscape. The film maps out two very different human geographies of post-dictatorship Chile, a lived urban space that reveals the stark social divide propping up the nation’s neoliberal economic structure. Scherson’s roving camera engages in a politics of perception which invites the spectator to view the city differently, thus exploring the possibility of upsetting this divide.     

Iron Smelting in Sudan: Experimental Archaeology at The Royal City of Meroe

The Royal City of Meroe, ca. 200?km north of Khartoum in the modern-day Republic of the Sudan, was an ancient capital of the Kingdom of Kush. From the 3rd century b.c. to the 4th century a.d., Kushite rulers controlled significant territory from the banks of the Nile at Meroe, in part through their ability to ensure the production of significant quantities of iron. The extensive archaeological remains of Meroitic iron production have been investigated over decades, and recently a series of experimental iron smelts in a replica Meroitic furnace has shed new light on the archaeometallurgical evidence. The data generated during the smelting campaigns has provided an understanding of the type of iron ore used, the construction and operating parameters of the furnace, and the workshop space created by the ancient iron smelters during the later and post-Meroitic times.     

Preaching and History: The Audience of Ranulf Higden’s Ars componendi sermones and Polychronicon

In his Ars praedicandi sermones, in traditional yet rich metaphoric language, Ranulf Higden compares Christ to a fountain, a shepherd, a rock, a lily, a rose, a violet, an elephant, a unicorn, and a youthful bridegroom wooing his beloved spouse. Ranulf encourages preachers to use such metaphors while using them himself, rendering his text a performed example of what he encourages. This text is clearly linked to two others: Ranulf’s Latin universal history, the Polychronicon, and John Trevisa’s English translation of it. In the Polychronicon, Ranulf relates the life of Christ, utilizing some of his own rhetorical suggestions from his preaching manual. He also depicts a cross-section of good and bad preachers, including Gregory, Wulfstan, Eustas, St Edmund, and one William Long-Beard and his kinsman, who exemplify (in different ways) the wisdom conveyed in Ranulf’s instruction in the Ars praedicandi. This essay suggests that the literary relationship between the preaching manual and the Polychronicon supplies additional support for the idea that the audience of the latter was not noblemen exclusively, but also clergymen who preached and had responsibility for the care of souls (cura animae).     

The gross domestic person? (Respond to this article at http://www.therai.org.uk/at/debate)

On the cusp of what is widely perceived to be seismic economic change, Fioramonti's analysis of the history and power of the GDP is a provocation to anthropologists to unpack its underlying assumptions about the human dimensions of economic life, and to imagine a different set of assumptions for the future. He depicts the presumed most basic unit for GDP analyses, the household, as a “cage”, where all the relevant economic processes go through monetization and formulaic relationships and aspirations. This paper examines the history of the “person” who is necessarily in a “household”: from the household being tax unit, to a domestic unit, to its currently expanding position as a node for the temporary meeting of varied trajectories of life and flows of varied kinds of value. The paper concludes with the challenge to create new metrics as being a challenge to comparison and analytical acuity, drawing on the anthropological archive.