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Oliver Hahn Simone Bretz Carola Hagnau Hans-Jörg Ranz Timo Wolff 《Archaeological and Anthropological Sciences》2009,1(4):263-271
Nondestructive analyses of medieval reverse paintings on glass revealed the same dyes and pigments customarily used in panel
paintings. However, there is one exception: the black colorant is not a carbon-based pigment, but black enamel. In this respect,
the stylistic as well as the technical influence of stained glass artwork can clearly be seen on reverse paintings on glass.
However, there is a crucial difference: in reverse paintings, the black enamel is not fired onto the glass but painted (cold
painting). Additional analyses confirmed these findings. Based on these results, the art form “reverse painting on glass”
has technically to be characterized as a mixture of “stained glass” and “panel painting” that nonetheless develops into a
genre of its own. 相似文献
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Paul Robbins Najeeb Jan Sarah Moore Anna J. Secor Joel Wainwright 《Political Geography》2010,29(6):343-351
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De Vos J 《History of the human sciences》2010,23(5):156-175
Milgram's series of obedience experiments and Zimbardo's Stanford Prison Experiment are probably the two best-known psychological studies. As such, they can be understood as central to the broad process of psychologization in the postwar era. This article will consider the extent to which this process of psychologization can be understood as a simple overflow from the discipline of psychology to wider society or whether, in fact, this process is actually inextricably connected to the science of psychology as such. In so doing, the article will argue that Milgram's and Zimbardo's studies are best usefully understood as twin experiments. Milgram's paradigm of a psychology which explicitly draws its subject into the frame of its own discourse can be said to be the precondition of Zimbardo's claim that his experiment offers a window onto the crucible of human behaviour. This will be analysed by drawing on the Lacanian concepts of acting out and passage à l'acte. The question then posed is: if both Milgram and Zimbardo claim that their work has emancipatory dimensions - a claim maintained within mainstream psychology - does a close reading of the studies not then reveal that psychology is, rather, the royal road to occurrences such as Guantanamo and Abu Ghraib? The drama of a psychology which is fundamentally based on a process of psychologization is that it turns its subjects into homo sacer of psychological discourse. 相似文献
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