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961.
The discovery of a probable Second World War criminal hideout, located on the border between Argentina and Paraguay, led to a detailed analysis of each construction and to the excavation of the shelter itself and its surroundings. Close to the main house was evidence for a pit that had been filled in and covered with vegetation. When excavated, the pit was found to have been opened and filled in twice, possibly to hide and then retrieve an object about a cubic meter in size. As the object was withdrawn, a kind of offering was left behind, buried in a special place: a Spanish military belt belonging to Franco’s army. Construction of the dwelling was dated about 1945, but unknown is whether pit is contemporary or dates to 1955, when the entire site was possibly abandoned. The second opening of the pit must have taken place before 1975, when such military belts were no longer used. Although the site is attributed to regional Nazi activities, the removal of the belt must be associated to the neo-Nazi events that took place there and as a consequence is probably associated with Franco’s Fascism. The site is still one of its kinds in Latin America.  相似文献   
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963.
The study of marginal Caribbean islands and economies remains understated within the wider context of the discipline of Caribbean historical archaeology. Research has tended to focus mainly upon the study of the dominant site form of the colonial period in the region: the industrial sugar plantation, and mainly upon the larger islands. This contribution moves the scale of analysis to the smaller Caribbean island landscape as a whole entity, and attempts to frame an archaeological biography of Bequia in the St. Vincent Grenadines over the last three hundred or so years. Further, we consider how more peripheral economic strategies that developed there over this period impacted upon this island landscape, how they are recognized archaeologically and what they can tell us about wider social and economic processes. Using landscape archaeology survey allied to GIS and historical cartographic analysis, the study presented here charts the emergence and development of a distinctive insular Caribbean socioeconomic identity very much on the margins.  相似文献   
964.
The Si Satchanalai figurines and ceramics applied with figurines in various shapes of humans and animals were one type of ceramics produced especially in the sixteenth century at the Si Satchanalai kilns located in Si Satchanalai city under the territorial control of the Sukhothai and the Ayutthaya Kingdoms which foreigners recorded the name of this region as “Siam.” They represent the mixed culture that came along with the unofficial and official foreign relations on politics and trade. Indian, Khmer, Lanna, Chinese Yuan and Ming, and Vietnamese arts and cultures were transmitted to Siam and became to be the important sources of inspiration for the local potters to create figurines and other forms of ceramic objects. The local daily life diet supplies, relationships in community, social organization, neighborhoods, activities, occupations and environments were other important sources of inspiration for the local potters.  相似文献   
965.
ABSTRACT

The Battle of Tannenberg in late August 1914 has been described as the ‘most powerful German myth’ of the First World War. This essay analyses the role of the battle in German collective memory up to the end of the Third Reich. During the war, the victory in East Prussia was celebrated widely and greatly contributed to the personality cult surrounding Paul von Hindenburg. After 1918, Tannenberg served right-wing circles as a political argument against the post-war order, evoked to underscore the notion of German victimhood against Slav ‘encirclement’, the ‘war guilt lie’ and the territorial provisions of the Treaty of Versailles. However, it never really captured the attention or imagination of writers and artists. Linked primarily to national-conservative groups and ideals, Tannenberg was also of no major significance in National Socialist propaganda.  相似文献   
966.
This paper puts forward the new analytical framework of ‘Digitally Mediated Iconoclasm’ (DMI) to analyse and interpret iconoclastic acts that are experienced through the propaganda (videos, social media, photographs, and other media) that the actor perpetrating the destruction makes available in global information networks for its consumption, duplication, and distribution. DMI captures three stages of the destruction (before, during and after the event) as both evidence of that destruction and as a perdurable digital archive. To demonstrate the relevance of DMI, we focus on an analysis of the videos and photographs depicting heritage destruction at pre-monotheistic sites targeted by the Islamic State (IS), such as Palmyra in Syria, the Mosul Cultural Museum, Nineveh and Nimrud in Iraq. The analysis focuses on the three stages that DMI comprises, showing the different photographic and audio-visual production techniques that the IS uses to enhance the tension that is built up leading to the destruction of cultural heritage while allocating material and human resources to produce digital propaganda. This analysis demonstrates how the analytical framework of DMI can be used to advance important work in heritage and media studies.  相似文献   
967.
This article looks at how Dutch national identity enters the practical setting of a medical consultation. Extending the growing scholarships of everyday nationalism and engaging with the notion of multivocalism, this article shows how Dutchness is understood in the form of desirable personal characteristics. These characteristics are promoted by physicians to patients of migrant ancestry looking for a surgery called hymenoplasty. This article presents unique scholarly observations of a case where a particular understanding of national identity is recommended as part of medical advice. Furthermore, by closely examining exchanges between doctors and patients, this article argues that Dutchness is in a state of flux where a person of migrant ancestry can simultaneously be seen by others as Dutch and non‐Dutch.  相似文献   
968.
Despite a dearth of literary and archaeological evidence for the commercial production of salted fish or fish sauces in the Aegean during the Classical and Hellenistic periods it has been argued, based on a variety of proximate data, that such production must have been common. This paper suggests those arguments are probably wrong. It argues first that the absence of archaeological evidence for regional Aegean production and trade is itself not necessarily meaningful since a similar absence exists for the Black Sea region during the Classical and Hellenistic periods when commercial production and trade is otherwise well attested; in the Black Sea the most common varieties of saltfish were produced without the use of permanent installations such as salting vats and shipped not in amphoras but in large baskets, thereby leaving little trace in the archaeological record. Evidence for regional Aegean production is also, however, largely absent from the literary and epigraphic sources where a number of key pieces of evidence have been misinterpreted. The evidence suggests instead that commercial catches even of species well suited for preservation would have been marketed fresh. This can be explained in part by the fact that in the Aegean different environmental constraints obtained. More importantly, institutional factors often would have made the commercial production and trade of salted fish and fish sauces uneconomical. Even where local conditions of glut periodically prevailed the possibility of household production may have prevented the development of commercial production on any meaningful scale.  相似文献   
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970.
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