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The concept of place-specific music, including its characteristics and formative dynamics, is introduced in this case study of the Miami Sound, a contemporary form of Latin commercial music that emerged in south Florida and has diffused rapidly since the mid-1970s. By analyzing musical components, it is concluded that the Miami Sound is a fusion of Latin, especially Cuban, musical influences with North American popular music formats and elements. 相似文献
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The American Kennel Club (AKC), the primary registry agency for purebred dogs in the United States, had recognized 138 breeds through September 1995. An investigation of the source areas of these breeds reveals the cultural authority of Great Britain in organized dog breeding in the United States. Although Great Britain accounts for more than one-third of the AKC breeds, however, its importance has declined. Dogs from Asia account for more than one-fifth of the breeds recognized since World War II. Breed names that contain toponymic elements (such as Sussex Spaniel) usually reinforce the importance of the area in which the breeds were developed. An analysis of the patterns of geographic names reveals a pronounced emphasis on Western Europe, particularly Great Britain. A decline in the prominence of names from Europe has occurred. Asian name sources have become more important, and Australia and Africa have begun receiving attention. North America as a source of breeds as well as a source of naming has occupied a relatively minor role throughout the AKC's history. American breeders and promoters of purebred dogs have tended to look outward, especially toward Europe, for sociocultural forms. 相似文献
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Sara James 《Modern & Contemporary France》2013,21(3):305-313
Paris has been described as the central character of Eugène Sue's best-seller, Les Mystères de Paris. However, the opening image of la Cité, which evoked the slums as a dark continent for the intrepid bourgeois explorer to discover, has perpetuated the idea that Sue's Paris is limited to a stylised gothic underworld. This article investigates both these perceptions by examining the nature and contrasts of the capital as Sue presents it, and by suggesting some of the ways in which the city facilitates melodrama, intrigue and social comment. It argues that, despite focusing on isolated parts of the capital rather than the city as a whole, Sue's representation of Paris offers wider insights into the workings of the modern city which are often overlooked. 相似文献
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