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Historical, artefactual and place‐name evidence indicates that Scandinavian migrants moved to eastern England in the ninth century AD, settling in the Danelaw. However, only a handful of characteristically Scandinavian burials have been found in the region. One, widely held, explanation is that most of these Scandinavian settlers quickly adopted local Christian burial customs, thus leaving Scandinavians indistinguishable from the Anglo‐Saxon population. We undertook osteological and isotopic analysis to investigate the presence of first‐generation Scandinavian migrants. Burials from Masham were typical of the later Anglo‐Saxon period and included men, women and children. The location and positioning of the four adult burials from Coppergate, however, are unusual for Anglo‐Scandinavian York. None of the skeletons revealed interpersonal violence. Isotopic evidence did not suggest a marine component in the diet of either group, but revealed migration on a regional, and possibly an international, scale. Combined strontium and oxygen isotope analysis should be used to investigate further both regional and Scandinavian migration in the later Anglo‐Saxon period.  相似文献   
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During the war years, both fiction and non-fiction films relating to the war populated Italian screens. This article examines Maciste alpino (1916), one of the best known and best received of the popular Maciste series of Italian silent cinema, in light of several factors: the growing nationalist movement that saw intervention in World War I as the means of creating political consensus; the sophistication and development of narrative, character, and attractions in the Maciste series; and its relation to popular film genres such as comic serials and the emerging strongman genre. Maciste functioned as a modern weapon par excellence, a Futurist mechanized man whose muscled body constituted its own fighting machine. At the same time, through his humor, goodwill, and muscled physique he became a national symbol of Italian wartime might.  相似文献   
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Jacqueline Simpson 《Folklore》2013,124(1-2):89-96
In 1966 Frank Mitchell, a.k.a. “The Mad Axe-Man” escaped from Dartmoor Prison and, as panic swept the locality, one of the most concerted, and ultimately fruitless, manhunts of the time was instigated. The event also seems to have fuelled an increase in legend-telling so that the real-life case became intrinsically linked with the contemporary legend known as “The Boyfriend's Death.” Even today the story is central to the teenage storytelling repertoire in the British Isles, where it is often known as “The Mad Axeman.” This paper uses the Mitchell affair to examine the interface between lore and life and, in particular, the rôle of the press in that process.  相似文献   
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