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ABSTRACT

This article explores the relation between aesthetics and theology in the Book of Job. The overall aim of the article is to explain the relationship between centre and periphery (poetry and prose) and its significance for the theology of the book. The article claims that Job's problem is not the attainment of wisdom but how to reconcile wisdom with suffering—how to relate to suffering. And this theological theme is propagated through aesthetics—including stylistic, narrative, compositional and structural features.

It is impossible to point out a preferential reading in the Book of Job because of the fundamental and structural dissonance of the text. This destabilized, ambiguous, paradoxical, ironical and dissonance-producing text is the hermeneutical starting point. Qua dissonance-producing text this feature is used as foundation for the interpretative task. And to get a comprehensive grip on the book two instruments are used: the literary and compositional means are analyzed, and the structural elements are evaluated in their relation between frame and centre. Following this line of interpretation reveals that the stylistic differences of the work manifest crucial theological distinctions. In the book of Job, shape and aesthetics are meaning and theology.  相似文献   
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This article aims at filling some gaps in the existing knowledge regarding the quantitative dimensions of Jewish immigration to Mandatory Palestine, particularly during the first decade of British rule. It does so by providing an explorative analysis of the immigration in the long 1920s (1919–32), which is based on a newly constructed micro data set containing rich details of about 45,000 individuals (making up more than 40% of all the registered immigrants in those years). In dwelling on the immigrants' demographic characteristics, labor market skills, and entry categories, the analysis offers tentative answers to some of the questions concerning the comparative nature of Palestine's Jewish immigration at the time, while pointing to other, still unresolved issues awaiting further research.  相似文献   
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Abstract

This article attends to the ways that meat from higher welfare chicken is sold in supermarkets in Sweden. Recognising that the ‘welfare-friendly chicken body is an achievement between the market, the animal and publics’, this article continues these discussions to show how gender, sexuality, race and nation operate within these markets and publics by looking at how welfare is marketed in chicken meat sales, particularly higher welfare chicken, compared to other meat. By attending to the images used to sell chicken, we examine how ideas about ‘the farm’ and ‘the family’ are mobilised in the supermarket. Using images of specific families, they position chicken both in the Swedish rural landscape and in intersecting social categories. These two narratives intertwine and operate as a device in the sale of high welfare chicken meat. This, we argue, hides the dependency on global supply chains and workforce, but also (re)produces ideas about what high welfare is, who cares, and how we should care. Throughout the article, we demonstrate how the narratives of farm, family, and nation operate in relation to species and welfare, as the ‘Swedish family farm’ is imag(in)ed to sell high welfare chicken in ways that contrast with meat from other animals.  相似文献   
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