Making the Dead Visible: Problems and Solutions for “Big” Picture Approaches to the Past,and Dealing with Large “Mortuary” Datasets

There can be few “bigger” questions than the nature and development of human experience and self-awareness and few better ways to study it than through the changing treatment of the dead over time. Funded by the John Templeton Foundation, the ‘Invisible Dead’ project (Durham University) is exploring diachronic changes in mortuary practices across two regions: Britain and the Levant. In doing so, it uses archaeology as a way to approach fundamental questions about the human condition. This paper explores the principal difficulties faced during the construction of a database for this project and their wider relevance for the development of robust and successful methods for the study of large “mortuary” datasets in the future. It discusses the issues and biases identified within the mortuary record and how the project has sought to mitigate some of these. By adopting a flexible and ultimately expandable approach to data entry and analysis, value can be added to legacy datasets and “grey” literature, allowing us to make comparisons between regions which are both geographically and chronologically distinct.     

Can Lithic Attribute Analyses Identify Discrete Reduction Trajectories? A Quantitative Study Using Refitted Lithic Sets

Quantitative, attribute-based analyses of stone tools (lithics) have been frequently used to facilitate large-scale comparative studies, attempt to mitigate problems of assemblage completeness and address interpretations of the co-occurrence of unrelated technological processes. However, a major barrier to the widespread acceptance of such methods has been the lack of quantified experiments that can be externally validated by theoretically distinct approaches in order to guide analysis and confidence in results. Given that quantitative, attribute-based studies now underpin several major interpretations of the archaeological record, the requirement to test the accuracy of such methods has become critical. In this paper, we test the utility of 31 commonly used flake attribute measurements for identifying discrete reduction trajectories through three refitted lithic sets from the Middle Palaeolithic open-air site of Le Pucheuil, in northern France. The experiment had three aims: (1) to determine which, if any, attribute measurements could be used to separate individual refitted sets, (2) to determine whether variability inherent in the assemblage was primarily driven by different reduction trajectories, as represented by the refitted sets, or other factors, and (3) to determine which multivariate tests were most suitable for these analyses. In order to test the sensitivity of the sample, we ran all analyses twice, the first time with all the available lithics pertaining to each refitted set and the second time with randomly generated 75 % subsamples of each set. All results revealed the consistent accuracy of 16 attribute measurements in quadratic and linear discriminant analyses, principal component analyses and dissimilarity matrices. These results therefore provide the first quantified attribute formula for comparative analyses of Levallois reduction methods and a basis from which further experiments testing core and retouch attributes may be conducted.     

Between the Vinča and <Emphasis Type="Italic">Linearbandkeramik</Emphasis> Worlds: The Diversity of Practices and Identities in the 54th–53rd Centuries cal BC in Southwest Hungary and Beyond

Perhaps nowhere in European prehistory does the idea of clearly-defined cultural boundaries remain more current than in the initial Neolithic, where the southeast–northwest trend of the spread of farming crosses what is perceived as a sharp divide between the Balkans and central Europe. This corresponds to a distinction between the Vin?a culture package, named for a classic site in Serbia, with its characteristic pottery assemblage and absence of longhouses, and the Linearbandkeramik (LBK), with equally diagnostic but different pottery, and its apparently culturally-diagnostic longhouses, extending in a more northerly belt through central Europe westward to the Dutch coast. In this paper we question the concept of such a clear division through a presentation of new data from the site of Szederkény-Kukorica-d?l?. A large settlement in southeast Transdanubia, Hungary, excavated in advance of road construction, Szederkény is notable for its combination of pottery styles, variously including Vin?a A, Ra?i?te and LBK, and longhouses of a kind otherwise familiar from the LBK world. Formal modelling of its date establishes that the site probably began in the later 54th century cal BC, lasting until the first decades of the 52nd century cal BC. Occupation, featuring longhouses, pits and graves, probably began at the same time in the eastern and western parts of the settlement, starting a decade or two later in the central part; the western part was probably the last to be abandoned. Vin?a pottery is predominantly associated with the eastern and central parts of the site, and Ra?i?te pottery with the west. Formal modelling of the early history of longhouses in the LBK world suggests their emergence in the Formative LBK of Transdanubia c. 5500 cal BC followed by rapid dispersal in the middle of the 54th century cal BC, associated with the ‘earliest’ (älteste) LBK. The adoption of longhouses at Szederkény thus appears to come a few generations after the start of this ‘diaspora’. Rather than explaining the mixture of things, practices and perhaps people at Szederkény with reference to problematic notions such as hybridity, we propose instead a more fluid and varied vocabulary, encompassing combination and amalgamation, relationships and performance in the flow of social life, and networks; this makes greater allowance for diversity and interleaving in a context of rapid change.     

Culture on the Moon: Bodies in Time and Space

This paper investigates whether the term ‘culture’ can be applied to the six Apollo lunar landing sites, and how the remains at these sites can be understood as the actions of bodies at a particular moment in space and time.     

Functional,symbolic or ritual?

Tools for determining the value of metal appear as symbols among grave goods in prehistoric and early medieval Europe and the Near East. Also, five boat burials excavated in eponymous Vendel contained touchstones. This article presents the results of chemical microanalyses of metal traces preserved on them and discusses the linear streaks of zinc in light of extraordinary ore deposits in central Sweden, exploited as early as the Early Middle Ages. In addition, forging tools found in four boat burials in Vendel are interpreted as symbols belonging to the funerary assemblages of ancient leaders. However, although both forging tools and tools for determining the value of metal were used in the treatment of metal, it would be misleading to search for their functional connection. They are linked in prehistoric and early medieval graves exclusively by their function as a symbol, one which they share with other objects, regardless whether exclusive or common.     

Lithic Economy and Specialized Activities Among the Iberomaurusian Populations of Tamar Hat Rockshelter (Northeastern Algeria)

Tamar Hat rockshelter (Béjaïa, northeastern Algeria) has yielded a lithic assemblage showing general characteristics of an Iberomaurusian Early Late Stone Age nature. Specific “becs,” which we shall call “becs of Tamar Hat,” appear as an important component of the assemblage in the upper occupations, which occurred at the end of Late Glacial Maximum. These becs, from a technological point of view and especially by their shaping processes, constitute a reliable reference collection, though showing morphological variability resulting in part to the reduction process. The use-wear analysis conducted, based on a microscopic examination validated by experimentation, testifies the becs would have functioned for engraving hard bone, such as those of deer. Other scars observed on the sharp edge and lower face near the active portion of the tool are caused by hafting. Hence, the results of the technological and functional analyses of the becs from Tamar Hat reveal the presence of specialized activities in the upper occupations, related to the animal bone processing. These results are supported by the archaeozoological study, which confirms that the site functioned as a seasonal habitat, where Megacerin deer was exploited in the upper occupations for utilitarian, non-food purposes. The emergence of the use of the becs of Tamar Hat is synchronous with the end of the Upper Paleolithic, prior to the expansion of bec use in the Upper Magdalenian of Europe, where technical and stylistic convergences were observed. This raises the question of the emergence of these lithic implements in North Africa and the possible spread of similar industries elsewhere.     

Fighting or Dancing: Archaeology and Folklore Traces

The connections between archaeology and traditions or folklore may be thought of as a dance, in which archaeological traces complement or constitute elements of folklore, and traces of folklore complement and constitute archaeological interpretation. On the other hand, archaeology and folklore may engage in competition about the “true” past(s). In this paper I will explore the tensions between these perspectives, and the tensions between archaeology and many forms of folklore.     

Wild Cattle: Red Deer in the Religious Texts,Iconography, and Archaeology of Early Medieval Ireland

Humans use animals as a means of creating and manipulating relationships with other human beings. This process occurs both through the use of animals for food or raw materials and through the use of animals as literary and artistic symbols. Cervus elaphus is Irelands only indigenous deer species. It is also unique in being the only native Irish, wild animal to appear frequently in medieval texts, iconography, and archaeological deposits. This paper brings together diversesources of information to illuminate how early medieval monasteries used reddeer to establish an identity for themselves and to conceptualize socioeconomic relationships with others.     

Rock Art Between Preservation,Research and Sustainable Development—a Perspective from Southern Ethiopia

This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the Kenyan border, in an area forming part of a larger region known as a cradle of humankind. However, it also hosts a diverse Holocene rock art heritage, which is still underestimated and underdocumented. Paintings and engravings are widespread in the region, both in rock shelters and open-air sites, often located in remote areas currently inhabited by communities belonging to different ethnic groups. The aim of this paper is to present the first results of a new project in the area around Yabelo, within the broader framework of rock art research in East Africa, integrating archaeological research, preservation and heritage management with a relevant involvement of local communities. The outstanding cultural importance of these contexts offers new prospects for both scholarly research and sustainable development. The recording and study of the artworks is underway, using digital technologies that guarantee a high standard of accuracy of the documentation and non-invasive recording methods. This provides important insights for reconstructing cultural dynamics in the area between the final Pleistocene and onset of the Holocene. Moreover, the focus on rock art makes it possible to enhance local knowledge, increasing the awareness of local communities, with a significant impact on the preservation of this fragile heritage and the development of local, sustainable tourism projects. Differently from other archaeological features, rock art can have a more immediate attractiveness for contemporary observers, in terms of the apparent immediacy of the images and their emotional impact, raising awareness of cultural heritage and fostering major involvement in its preservation.