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991.
The antiquity and context (site or feature type) are the two principal factors that act as a framework for interpreting charcoal and wood data from archaeological sites in the recreation of past woodland environments. This research addresses these parameters through the analysis of over 18,000 charcoal fragments from 57 archaeological excavations carried out along a 61?km road scheme in the midland region of Ireland. Observations on spatial vegetation dynamics and woodland resource patterns are also reported on. The data were analysed through percentage frequency and multivariate analyses. The results reveal woodland resource usage in terms of wood types selected for use as fuel or as structural wood as well as patterns of change and variability in taxonomic composition in relation to site types, feature types and time periods. Selection was found to be low in prehistoric times and in particular at burnt mound sites/fulachta fiadh but became increasingly important as time progressed. This has important implications when charcoal from archaeological settings is used in environmental reconstructions. 相似文献
992.
Meghan J. Clark 《Political Theology》2017,18(6):495-511
Millions of viewers tune in to watch ABC's Scandal where political corruption, sexual infidelity, secret lives, and hidden crimes abound. What is it that makes something scandalous? In popular culture, scandal involves something morally or legally wrong coupled with public outrage. In contrast, as a theological category scandal is that which impedes the community's relationship with God. Pope Francis identifies poverty as just such a scandal damaging our relationship with God and each other. Examining scandal in popular culture and the media along with Catholic social thought, this article identifies three types of scandal: hypocrisy, impurity, and dehumanization. Ultimately, the theology of scandal can direct us away from the salacious towards addressing scandals of dehumanization. 相似文献
993.
994.
Jérémie Molho Peggy Levitt Nick Dines Anna Triandafyllidou 《International Journal of Cultural Policy》2020,26(6):711-721
ABSTRACT Building on the literature on global cities and on the worlding of cities, the articles in this special issue chart how cities outside Europe and North America try to reinvent and rescale themselves using culture. They suggest that the fabric of urban cultural policy is embedded in multi-scalar power dynamics. First, the contributions in this special issue reveal the importance of circulating standards across borders in structuring narratives about urban history, heritage and identity, in conjunction with local actors’ interests. Second, the diffusion of hegemonic cultural policy models such as the “creative city” leads to logics of exclusion, gentrification, and has been met with resistance, which suggest that these models can be to the detriment of local residents, despite the progressive values they are often claim to promote. Third, this special issue points to the need to rethink the politics of cultural policy mobility and offers conceptual tools such as vernacularization to make sense of the ways in which urban elites navigate, negotiate and take advantage of circulating cultural policy models. 相似文献
995.
Satu Valoriani Constantine Eliopoulos Joel D. Irish Matteo Borrini 《International Journal of Osteoarchaeology》2020,30(1):73-79
Working conditions in factories during the Industrial Era in Great Britain have been linked to numerous occupational diseases. In this paper, the authors present a case study from Victorian Gloucester, where skeletal remains of a young male recovered from the Southgate Street 3/89 excavation exhibit osteonecrosis on the left mandibular ramus, a condition known as “phossy jaw.” The case is examined in terms of macroscopic characteristics, distribution and severity of lesions, and differential diagnosis. The lesions consist of extensive bone necrosis with periosteal reaction and sub‐periosteal new bone formation that affects the left side of the mandible. Conditions that may have produced similar changes were considered and include various forms of neoplasms, actinomycosis, and taphonomic alterations. However, these are rejected as they are not supported by the lesion characteristics. Additional supportive evidence for the case of phosphorus necrosis is offered by the historical context: In the 19th century, Gloucester was one of the main centres for match manufacture, and it is well known that individuals who were directly exposed to phosphorus fumes developed a condition known as “phossy jaw.” The potential contribution of the current analysis in our understanding of working conditions in Victorian Gloucester is evaluated. 相似文献
996.
During the archaeological excavations of a Christian monastic cemetery in northern Sudan, a double‐vaulted tomb was discovered housing the remains of three individuals, among them a 50+‐year‐old female. The skeletal remains of this individual displayed significant asymmetry of the lower limbs, with apparent muscle atrophy and shortening of the left extremity, in combination with other symptoms suggestive of a neurogenic background of the condition. This paper presents a differential assessment, considering various possible etiologies of the observed lesions, including poliomyelitis, cerebral palsy, and Rasmussen's encephalitis. The morphology and patterning of the observed lesions suggest the first known occurrence of poliomyelitis from medieval Sudanese contexts. 相似文献
997.
Susan C. Kuzminsky Thomas J. Snyder Tiffiny A. Tung 《International Journal of Osteoarchaeology》2020,30(2):275-280
The use of 3D digital imaging methods has increased within biological anthropology and medical research. Although digital renderings can be easily shared by researchers or used for student learning modules in osteology, limitations to using 3D models exist, requiring institutions of higher learning to invest in real bones or casts of human skeletal remains for labs. Here, we examine whether 3D digital models are viable proxies for real bones by testing the reliability of scoring sexually dimorphic traits of the human skull, a method commonly used by North American skeletal biologists. Forty‐five crania from Peruvian archaeological sites were used to score four sexually dimorphic cranial traits. These morphological traits were scored by one student learning osteology and an experienced researcher using the actual crania and 3D models of the same individuals. Statistical tests of rater agreement and strength of the agreement were conducted. Results showed lower agreement between the actual and 3D scores for the student and higher agreement among the scores for the experienced researcher. Accurate and cost‐effective 3D models can serve as excellent replacements for real skeletal remains when researchers are experienced. However, 3D models may be a less reliable training tool for students learning osteological methods that require palpating areas of the human cranium. This study makes a strong case for purchasing quality casts or real human skeletal remains of legal/ethical origin for osteology teaching labs, despite their higher costs. 相似文献
998.
Jürgen Lawrenz 《European Legacy》2020,25(2):186-202
ABSTRACTIn the mid-eighteenth century music underwent a sudden and drastic revolution when composers “discovered” a new dimension to their art. This had immense repercussions on the philosophy of art, for the music created before and after this divide represents two different species of aesthetic experience, which in due course affected our understanding of the meaning and import of the other arts as well. Despite the immense aesthetic repercussions of this Copernican revolution in music, philosophers of art seem not to have taken much notice of it. This essay details the emergence of the relevant musical criteria during the eighteenth century and dwells on their long-term impacts on the philosophy of art. 相似文献
999.
1000.
The No. 2 Qin bronze chariot unearthed from Qinshihuang's Mausoleum is world famous for its huge size and colourful painted patterns. However, since it had been buried for a long time and was affected by its harsh environment, its painted patterns have been severely damaged. The traditional restoration methods, which mainly rely on expert experience, are manual, inefficient and lack scientific support. Moreover, to protect the important cultural relics, any invasive operations, such as sampling analysis, are strictly prohibited. This paper presents a method that combines hyperspectral imaging and computer technology for the digital virtual restoration of the bronze chariot's patterns. It is non-destructive, more efficient and more scientific. The method reproduces the damaged patterns with the following approaches: restoring the missing edges of the patterns; and distinguishing the different pigments. The obtained result implies that the method can digitally reproduce some of the damaged patterns, and that it can be used as a reference for recreating the patterns of the other painted bronze. 相似文献