La république des « humeurs » : Les querelles dans le dictionnaire de Bayle

Quarrelling is a ‘routine’ activity of the Republic of Letters. This article demonstrates that quarrels played a key role in the field of historical criticism. The contention of this article is twofold. First, it explores the epistemological issues raised by Bayle while reporting the quarrels of the Republic of Letters, and demonstrates their creative potential, thus applying to historiography conclusions drawn by recent research on scientific controversies. It offers a new understanding of scholarly quarrels, here understood as a socially and intellectually structuring activity. Second, this article takes issue with the debate over Bayle’s historical pyrrhonism. As will be shown, the quarrels constitute a key element within a method of writing history that is both conscious of its limits and confident of its investigative powers     

A Recent Doctoral Thesis

Advanced doctoral students whose dissertations are substantially concerned with the history of cartography are invited to contact the editor of this section (Dr Elizabeth Baigent, Wycliffe Hall, Oxford OX2 6PW, UK; elizabeth.baigent@wycliffe.ox.ac.uk) to discuss the submission of a short article. For a list of doctoral theses in progress see http://www.maphistory.info/futurephd.html.     

New insights into Byzantine glass technology from loose mosaic tesserae from Hierapolis (Turkey): PIXE/PIGE and EPMA analyses

This study focuses on the Byzantine glass tesserae from Hierapolis (Phrygia, central Turkey). Fifty-seven samples of loose tesserae from two sites in the town (the theatre and the church of St. Philip) are analysed by particule-induced X-ray emission and particule-induced gamma ray emission and electron probe X-ray microanalysis to obtain the chemical composition and identify the colourants and opacifiers. The aims are to add new information to the scant knowledge of the Byzantine glassmaking technology, to constrain the chronology of the mosaics and to trace the supply routes of the tesserae. In the destruction layers of the theatre, tesserae produced following the Roman glassmaking technology (natron glass opacified by calcium and lead antimonate) were found. They were made using a Levantine 1 raw glass, generally attributed to the early Byzantine period (fifth to sixth c.). In the church, the samples attest a technological change from Roman tradition, and a complex pattern according to building history (two phases are attested, probably in the sixth and eighth to ninth c.), and a multiplicity of supply. Three glass types and some recipes not attested before in this chronological range for the production of tesserae are documented, such as the use of a local low-chlorine natron glass for the production of black and red tesserae, the blue colouring by a source of cobalt with zinc in a natron glass tessera and the opacification with tin oxide (both in a lead-free and in a high-lead natron glass), as well as with quartz.     

The Seasonal Mobility of Prehistoric Gazelle Herds in the Azraq Basin,Jordan: Modelling Alternative Strategies Using Stable Isotopes

The hunting of Gazella subgutturosa was a dominant practice for Epipalaeolithic and early Neolithic hunter–gatherers in the east Jordan steppe. The seasonal mobility of this taxon in the Levant is poorly understood, especially for early prehistory when herd movements would have influenced hunter-gatherer use of the steppes. This paper proposes four patterns of seasonal herd mobility for G. subgutturosa centred on Jordan’s Azraq Basin. The four patterns are modelled using oxygen, carbon and strontium stable isotopes. Seasonal environmental signatures of each are understood through carbon and strontium isotopic variation in sixty modern plant specimens collected from twelve selected locations in north Jordan, published data on oxygen isotopes in local precipitation, and the adaptive behaviour of G. subgutturosa. The integrated isotopic datasets provide clear discriminatory markers for each proposed mobility pattern. Results will be applied in future to isotopic data from archaeological gazelle teeth from the Azraq Basin.     

Seasoned or green? Radial cracks analysis as a method for identifying the use of green wood as fuel in archaeological charcoal

For several years, sociological questions have been central in anthracology. The development of socio-economic approaches based on the recognition of anatomical signatures in wood has made it possible to focus on topics related to firewood use and its management. The presence of radial cracks (RC) on archaeological charcoal is generally interpreted as the result of the burning of green wood. The present study proposes a verification of this theory by the experimental combustion of seasoned and green wood of Scots Pine (Pinus sylvestris L.). Experimenting with this species was a research priority since it was the dominant taxon (representing 80-100% of the charcoal remains) identified in the Palaeolithic European sites under consideration.The experiments were conducted using two different methods: (i) inside a muffle furnace that allowed us to control the combustions, but in which the combustion process is quite different from most archaeological situations and (ii) in an open fireplace, less controllable but closer to the archaeological conditions. The systematic quantification of the number, length and width of the radial cracks (RC) measured on the transversal sections of the experimental samples demonstrates that (i) radial cracks occur independently of the moisture content of the wood before the combustion (on green and seasoned wood); (ii) however, the average number of radial cracks (RC/cm²) allows distinguishing seasoned from green wood; (iii) in the muffle furnace, the size of the RC appeared to be a good criterion for discriminating seasoned and green wood, but this observation was not confirmed by the open-air combustions. Our results clearly show that the appearance of radial cracks is not diagnostic of the combustion of green wood. Nevertheless, the number of radial cracks (RC/cm²) could represent a new method that might help identifying the combustion of green wood in archaeological charcoal samples.     

Analytical investigation on Renaissance Venetian enamelled glasses from the Louvre collections

Venetian enamelled glass is one of the most significant subjects of the art and technology of Renaissance glassmaking. These items were made in Venice from the second half of the 15th through the 17th centuries and were imitated in other European glassmaking centers during this period and again in Murano during the 19th century. Only a limited number of analyses of these masterpieces have been published up to now.     

Network Autocorrelation

Even though Cliff and Ord (1969) do not question "network autocorrelation," their paper contains an interesting ambiguity that is here discussed. Hence, this article aims at discussing the problem of spatial autocorrelation in (perhaps preferably on) a network as well as at giving an overview of the existing relevant literature. A typology of network autocorrelations is suggested and it is hoped that this discussion initiates debates and points to new research challenges.