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Numerous authors have attested to the incompleteness of most policy arguments. Until now, however, the machinery has not been available for dealing with complex and open-ended policy arguments. This paper synthesizes and extends recent developments in the logic of argumentation and symbolic logic to create a methodology for treating complex arguments. 相似文献
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This account of the cultural phenomenon of Santa/Father Christmas draws on the polarities that attend the rituals of Santa/Christmas: secular/religious; commodity/gift; sacred/profane; material/spiritual etc., while also arguing that these dichotomies act together, rather than as simple oppositions. The account also draws on empirical work by the authors and a wider group of practitioner‐researchers on how young children construct and reason with Santa. We then discuss the threat to Santa from the audit culture, which involves an inversion of his benign characteristics in terms of suspicion and surveillance. Our conclusion is that Santa is more of a religious figure than he is often given credit for being, and is felt by ‘believers’ to be superior in terms of ‘delivery’, as current systems of accountability might put it. But he is threatened by an audit culture for which he is almost the epitome of Stranger Danger. ‘Santa’, after all, is an anagram of ‘Satan’. 相似文献
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Ian Rowen 《Tourism Geographies》2020,22(3):695-702
AbstractExamining transformational festivals can offer conceptual resources for a transformation of tourism into a more responsible and sustainable practice. By thinking together two usually distinct scholarly treatments of “transformation”—those of transformational tourism and those of transformational festivals—the COVID-19 pandemic can itself also be treated as a spatiotemporal threshold for the transformation of the travel industry. This approach can also help deconstruct the mechanisms that sustain deleterious aspects of tourism’s guest-host divide. As borders reopen and mobility and recreation recommences, the capacity of transformational festivals—both within and beyond their highly porous time-spaces– to transform their participants offer lessons for the blurring, if not the outright obliteration of the demarcation between guests and hosts. The creative and pro-social responses of members of one such transformational festival culture—Burning Man– to this and past crises are presented as examples for how values such as participation and civic responsibility may help people overcome shared conditions of hardship, and support more sustainable tourism practices in the post-COVID-19 world. Such subversive inter-subjective inversions may bring the recognition, in-itself, and production, for-itself, of a shared humanity of co-creators and participants in not just ephemeral, but accretive transformational social and environmental projects. 相似文献