Rock Art and Ritual: An Archaeological Analysis of Rock Art in Arid Central Australia

Rock art researchers throughout the world have explicitly or implicitly invoked ritual as an activity associated with the production of rock art but the articulation between the structure and composition of rock art assemblages and ritual behaviour remains poorly understood. Anthropologist, Roy Rappaport (1999) argued that all ritual, whatever the content or focus, has a universal structure. We review this proposition in the context of ritual studies and propose a method aimed at assessing the potential for identifying ritual structure in rock art assemblages. We discuss an archaeological analysis undertaken on the rock art assemblages in arid Central Australia, which aimed at distinguishing such a ritual structure among engraved assemblages, likely to have a Pleistocene origin, as well as more recent painted, stencilled and drawn assemblages. This analysis, despite its limitations, provides the foundation for developing a model, which will enhance the understanding of the relationship between the production of rock art and ritual.     

‘My Freind who Writes for Me’: Scribes and Scribal Relationships in the Letters of Seamen, 1793–1815

This article examines the use of scribes in letters of one group of men during a specific period: British Royal Navy servicemen below the rank of commissioned officer during the French Revolutionary and Napoleonic Wars, 1793–1815. The letters of one such seaman in particular, Richard Greenhalgh, are unusual in that he himself could write, but preferred to have someone to write for him, as is shown by many references to ‘his freind who writes for me’. Contrasts between the scribe’s style of writing and that of Greenhalgh are noticeable, especially after Greenhalgh and his scribe were parted by being sent to serve on different ships. The letters also reveal the relationship between writer and scribe, and the writer’s family and his scribe. The letters contain messages to be passed between a network of family and friends on board ship and on shore, strengthening ties between them, vital in wartime to the morale of the seamen and for the reassurance of those at home. References found in other surviving letters demonstrate the use of scribes by different seamen, also seamen acting as scribes for shipmates, adding to knowledge of scribal culture among this social group.     

‘Continuous abuse’ or ‘a unanimous blessing’? Reassessing the Conservative Party’s stance on the 1951 Festival of Britain

The 1951 Festival of Britain has long been seen as both a key turning point in the country’s post-war history and an event which was delivered, by Clement Attlee’s Labour Government, in the face of formidable political (and media) opposition. This article considers the Festival’s status as a pivotal moment in modern British history but focuses primarily on the Conservative Party’s approach to the project. In doing so, its draws on previously neglected evidence to suggest that successive works on the subject have greatly exaggerated the extent to which the festivities were the subject of partisan campaigning and political contention.     

Change and Continuity: Networking,Newspaper, Kinships and Twentieth Century Elite Women

This article examines the juncture point between British-(Anglo)-American elite women in the first half of the twentieth century, their female networks and newspapers. It considers the maternal background, reconstructing biological and fictive kinships, to illustrate generational patterns leading to both female barrier-breaking in elite western institutions and clustering in the political and charitable work environments. The paper covers a century of adult female life using a central stem matrikin whose activities can be recovered through press-cuttings which chart change and continuity of values, confidence, identity and self-awareness through the range of kin based networks. It reconsiders the background to the 1970s breakthrough of women in leadership within elite political and charitable western institutions which has previously been considered as a result of effective equal opportunities combatting barriers rooted in male networking patterns. Finally, it reflects on the nature of the press as encountered by, used by and marginalising of elite women during the period.     

"TEEB begins now": a virtual moment in the production of natural capital

This article uses theories of virtualism to analyse the role of The Economics of Ecosystems and Biodiversity (TEEB) project in the production of natural capital. Presented at the 10th Conference of the Parties to the Convention on Biological Diversity, the project seeks to redress the ‘economic invisibility of nature’ by quantifying the value of ecosystems and biodiversity. This endeavour to put an economic value on ecosystems makes nature legible by abstracting it from social and ecological contexts and making it subject to, and productive of, new market devices. In reducing the complexity of ecological dynamics to idealized categories TEEB is driven by economic ideas and idealism, and, in claiming to be a quantitative force for morality, is engaged in the production of practices designed to conform the ‘real’ to the virtual. By rendering a ‘valued’ nature legible for key audiences, TEEB has mobilized a critical mass of support including modellers, policy makers and bankers. We argue that TEEB's rhetoric of crisis and value aligns capitalism with a new kind of ecological modernization in which ‘the market’ and market devices serve as key mechanisms to conform the real and the virtual. Using the case of TEEB, and drawing on data collected at COP10, we illustrate the importance of international meetings as key points where idealized models of biodiversity protection emerge, circulate and are negotiated, and as sites where actors are aligned and articulated with these idealized models in ways that begin further processes of conforming the real with the virtual and the realization of ‘natural capital’.