Establishing an Ideologically Coherent History

This article analyses the historical culture of the Swedish Social Democratic Worker’s Party (SAP) during its formation in the last decades of the 19th century. Utilizing the theoretical concepts of myth and conceptual metaphor, the sense-making aspects of historical narration are studied, especially the way coherent stories are told, in which the movement under formation is made part of a long history leading to a desirable future. The SAP utilized history both morally-defensively and tactically-offensively. The moral use of history depicts Jesus, Münster, and the French Revolution, establishing the righteousness of revolt. The revolutions of 1848 and the Paris Commune, during which the workers are seen as acting more independently, are depicted in a way that draws attention to tactical aspects; lessons are learned on how the workers should act in a revolutionary situation. As has been shown to be the case regarding national narratives, the sense-making mechanisms of historical narration also tend to appeal to issues of identity. The metaphorical conceptualization of ideas and movements as individuals and families further underlines these issues.     

COMMODIFYING DANISH HOUSING COMMONS

Housing was a backbone of the Danish welfare state, but this has been profoundly challenged by the past decades of neoliberal housing politics. In this article we outline the rise of the Danish model of association‐based housing on the edge of the market economy (and the state). From this, we demonstrate how homes in private cooperatives through political interventions in the context of a booming real estate market have plunged into the market economy and been transformed into private commodities in all but name, and we investigate how non‐profit housing associations frontally and stealthily are attacked through neoliberal reforms. This carries the seeds for socio‐spatial polarization and may eventually open the gate for commodification – and thus the dismantling of the little that is left of a socially just housing sector. Yet, while the association‐based model was an accessary to the commodification of cooperative housing, it can possibly be an accomplice in sustaining non‐profit housing as a housing commons.     

‘A Wagner for the Jews’: Moses Pergament,Richard Wagner and anti-Semitism in Swedish cultural life in the interwar period

This article deals with the Finnish-Swedish, Jewish composer and author Moses Pergament and his relationship with Wagner's theories, anti-Semitism in particular, and their influence on the development of modern Swedish classical music during the interwar period. The author emphasizes the importance of recognizing that Pergament's reaction to Wagner's cultural theories was part and parcel of his struggle for assimilation. The basis of Pergament's interpretation of Wagner was the notion that it is possible to separate life and belief: the anti-Semitism and enthusiastic lechery were part of Wagner's life, to which it was not necessary to attach much importance. The beliefs, on the other hand, were there to be analysed. Furthermore, an explicit and public critique of Wagner's anti-Semitism was inconsistent with an attempt to gain a foothold in Swedish cultural life. As Wagner's anti-Semitism was well known but was deemed either acceptable or irrelevant, paying attention to it was by definition proof of a Jewish identification. To be accepted as a Swedish music critic, Pergament had to follow the unwritten rules of the game, amongst them the requirement not to exhibit his ‘Jewishness’ openly. The actions of certain members of Föreningen Svenska Tonsättare (FST, the Association of Swedish Composers) indicate that Pergament's work was not thought to indicate a Swedish identification. On the contrary, his reviews were seen as a threat to ‘Swedish music’, and with implicit references to Wagner this was attributed to Pergament's supposed lack of feeling for the ‘spirit of the Swedish people’.