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This study used the advocacy coalition framework (ACF) to explain stability and change in China's national birth control policy from 1980 to 2015. We found that policy remained stable, despite internal and external changes to the relevant subsystem, from 1980 to 2013. The stability was explained by the dominant advocacy coalition's mobilization of considerable resources to defend its policy core beliefs. Policy changes in 2013 and 2015 were caused by a combination of external and internal perturbations, in addition to policy-oriented learning and advocacy by two expert-led minority advocacy coalitions. The case showed that the openness and plurality of China's policy processes had increased over time but were still limited in comparison with those in Western democracies. The case analysis confirmed two policy change hypotheses and suggested a mechanism for policy change: a hierarchically superior jurisdiction is more likely to impose a major policy change when it learns that the change is an adaptation to internal and external perturbations and that adopting the change will serve the jurisdiction's political interests. 相似文献
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Henri Brugmans 《History of European Ideas》2013,39(1-6):305-311
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Henri Bernard 《东方研究杂志》2013,61(1-2):312-314
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R. H. van Gulik R. H. van Gulik M. H. van der Valk Henri Bernard Henri Bernard Henri Bernard 《东方研究杂志》2013,61(1-2):485-503
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Henri Brugmans 《History of European Ideas》2013,39(3):175-182
A concern to pin ideological labels on Morris has obscured the continuing importance of romanticism and Protestantism for his socialist politics. Romanticism led him to seek self-realisation in an art based on naturalness and harmony, and Protestantism led him to do so in the everyday worlds of work and domestic life. From Ruskin, he took a sociology linking the quality of art to the extent of such self-realisation in daily life. Even after he turned to Marxism, he still defined his socialist vision in terms of good art produced and enjoyed within daily life. Moreover, his over-riding concern to promote a new spirit of art, not his dislike of Hyndman, led him to a purist politics, that is, to look with suspicion on almost all forms of political action. 相似文献