Biomolecular archaeology of ancient tuberculosis: response to “Deficiencies and challenges in the study of ancient tuberculosis DNA” by Wilbur et al. (2009)

It is sixteen years since the first detection of Mycobacterium tuberculosis DNA in archaeological specimens, yet the validity of findings continues to be questioned. Rigorous scientific scrutiny and debate is valuable and has led to a coalescence of procedures and precautions amongst those actively engaged in this work. It is disappointing that these good practices are not recognised by certain scientists whose primary expertise is in the related fields of archaeology, palaeopathology, and eukaryote ancient DNA. There is a danger that by constant repetition, disputable and inadequately justified concerns will assume the status of self-perpetuating myths and misunderstandings. We discuss these issues with reference to a recent article in this journal, in which clear peer-reviewed scientific data were specifically targeted as part of a general critique of the field of the palaeomicrobiology of tuberculosis. We believe we have given sufficient evidence and cogent argument to persuade the unbiased reader that the views in the critique by Wilbur et al. are unjustified.     

INTRODUCTION TO GEOGRAPHICAL ECONOMIES OF CREATIVITY, ENTERPRISE AND THE CREATIVE INDUSTRIES

This special issue brings together creativity and enterprise through the geographies of the creative industries. In recent years the focus of academic debate has privileged business and corporate economies, and so this issue seeks to contribute both empirically and theoretically to the burgeoning literature of creative industries. Economic geography offers a rich domain through which to engage with these debates, exploring the nuances of creativity and enterprise. Our aim, as well as bringing together a set of interesting papers, is to contribute critically to understanding the organization and spatial structure of creative industries and the broader creative economy.     

On national dress and the problem of authenticity in Ulysses

This article considers James Joyce’s representation of Irish dress, arguing that his ambivalent treatment of it accurately reflects his fractious relationship with the Irish Revival movement. The article begins with a discussion of the metaphor of performance and relates this to issues around “authenticity”. From here, it discusses Douglas Hyde’s thoughts on dress, as presented in “The Necessity for de-Anglicising Ireland”, contextualising these within a brief history of nineteenth and early-twentieth-century Irish dress history, and recognising the important work of women in this. Assessing Joyce’s depictions of Irish dress, especially in “Scylla and Charybdis”, “Cyclops” and “Circe”, this article argues that Joyce sees Irish dress as a contingent and fragile cultural performance.     

Re-education in times of transitional justice: the case of the Dutch and Belgian collaborators after the Second World War

After the liberation of the Second World War, the governing parties in both Belgium and The Netherlands agreed that it was necessary to punish the collaborators. But the notion that the large majority had to be ‘re-educated’ for social reintegration also very soon prevailed in both countries. Collaborators had to be ‘cured’ to become full democratic national citizens again, and their punishment was designed to achieve this. Although in the last few decades the research scope of transitional justice has developed greatly and has contributed to an ever more nuanced picture of the punishment of collaboration in the post-war period, the question of to what extent prisons were used as places to ‘improve’ enemies of the state during a regime change has largely been overlooked. But precisely by studying the execution of the punishment, underlying ideologies and interests are exposed, and we can see how well defined citizenship was. This paper, with the aid of the Dutch–Belgian comparison, considers how post-war re-education was approached in those countries and what this says about the meaning of imprisonment during regime changes.     

The Gender of Money: Byzantine Empresses on Coins (324–802)

In Byzantium, images on coins were a means to disseminate information about the state widely and quickly. Portraits of emperors were standard; empresses also sometimes appeared. Between 324 and 802, imperial women served as important ideological resources, and their portraits on coins always served as symbols of state well‐being and especially of legitimacy for the current ruling family. Changes in the coin imagery demonstrate how the mints used images of imperial women to respond to specific political situations, but also allow us to chart broader shifts in Byzantine gender strategies.