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Oslo: In What Way an Innovative City? 总被引:1,自引:0,他引:1
The article analyses to which extent and in what way the Oslo region may be considered as an innovative and dynamic city in the Norwegian context. Although the European Union Community Innovation Survey (CIS II) concludes that the Oslo region has the same share of innovative firms as the national average, other data sources convincingly demonstrate that Oslo is an innovative city in the Norwegian context, having for example comparatively many 'radically' innovative firms and a high rate of new firm formation. However, knowledge organizations in Oslo do not function as hubs in wider innovation systems to any large degree. The empirical results may most fruitfully be explained with reference to a 'bottom-up' theoretical approach, that considers specific local and regional resources, relations and routines as important sources of innovation. 相似文献
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Heidi Aronson Kolk 《Journal of Cultural Geography》2020,37(2):117-156
ABSTRACTThis article assesses the defining features and cultural significance of the haunted history tour as it has come to be practiced in American urban spaces. A distinctive cultural form that has risen to prominence in the U.S., Canada, the U.K., and other places, haunted history taps into public fascinations with “dark” history and ghosts, but does so to engage unresolved and troubling elements of local history and memory. Practitioners engage creatively with problematic histories that otherwise might be forgotten or suppressed, attending especially to their material-folkloric traces. Drawing on participatory and analytical research in several U.S. cities, in particular St. Louis, New York, and Savannah, the article moves from a characterization of the defining modes and interpretative conventions of haunted history, which are drawn from mainstream tourism and others from more-activist public history, to an analysis of its preoccupation with haunting “remainders” of the past, which, I contend, form an unacknowledged narrative and epistemological core of an experimental memory project whose primary quarry is the domain of “negative heritage”. 相似文献
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ABSTRACT This article discusses the methodological implications of the relations we have to our object of study as cultural policy researchers. We ask: What research relations we typically are part of and what social dimensions structure these relations? These questions are discussed by comparing field experiences from two cultural forms that can be characterized as polar opposites when it comes to the degree to which they are legitimized: contemporary opera and dance bands. We suggest that four dimensions are especially relevant to help ‘unpack’ the relations we typically find ourselves in as cultural policy researchers; cultural hierarchy, research conditions, geography and, gender and age. The coexistence of these dimensions means that the cultural policy researcher regularly finds him/herself in complex situations that we suggest should be analysed in terms of the ways in which, and the extent to which, we develop roles as insiders – or outsiders – in the field 相似文献
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Heidi Hadsell 《Muslim world (Hartford, Conn.)》2010,100(4):367-367
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