Between space and place in mountaineering: navigating risk,death, and power

Abstract

The liminal status of mountains makes them attractive destinations for adventure, and related tourism and recreation activities. Stemming from critiques of Nepal’s growing adventure tourism industry, and recognising the centrality of Sherpas’ roles within it, of interest are the ways Climbing Sherpas experience liminality in mountaineering. Liminality, an anthropological concept introduced by Arnold van Gennep (1960 van Gennep, A. (1960). The rites of passage. Chicago: University of Chicago Press. [Google Scholar]), becomes transformative as Sherpas use encounters with death and periods of uncertainty to take stock of the purpose of their lives. Moreover, analysis of narrative findings reveal that Sherpas assert individual freedom and collective agency in response to the dangers and demands of Nepal’s commercial mountaineering industry, thereby shifting power relations on the mountainside. These findings challenge assumptions of immobile host populations that underlie some of the current understandings within tourism scholarship. Additionally, exploring the liminal landscapes of the mountainside draws attention to critical concerns regarding tourism (and its associated industries) as a mechanism for economic development.     

Noel Lenski and Catherine M. Cameron (Eds.): What Is a Slave Society? The Practice of Slavery in Global Perspective

African Archaeological Review -     

Elemental analysis of pottery in the study of its provenance: A review

Elemental analysis of pottery is a valuable scientific approach to investigation of its provenance. Increasing use is being made of the approach, and this paper presents a critical review of the basic methodology and experimental procedures. Genenal problems and limitations of the technique are discussed, and the procedures involved in each of the four main stages of such studies are described. These stages are: (1) selecting specimens of pottery for analysis, (2) obtaining samples from the specimens, (3) analysing the samples, and (4) interpreting the results. For each stage, suggestions are made for generally useful procedures and experimental precautions, and for aspects on which further study seems desirable. Much of the discussion is also relevant to the analysis and typing of artifacts of other materials, e.g., metal and stone objects.