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Sarah Wilson 《Children's Geographies》2016,14(3):282-294
Children's and young people's access to and use of digital technologies have received increasing attention in recent years. While influential UK media commentators have often focused on associated risks, researchers have taken a less exclusively problem-focused approach. Children and young people's use of, for example, social media and computer games to extend the spaces available to them in which to maintain relationships, to experiment with social identities, and to engage in an ‘economy of dignity’, however fragile, have all been highlighted. This paper builds on this work to further consider the role of such resources, accessed primarily through computers and mobile phones, as means of caring for oneself or ‘self-care’. It draws on a qualitative study which employed visual and audial methods to explore the sense of belonging (or not) of young people who have been ‘looked after’ by others than their biological parents, often in less affluent circumstances. 相似文献
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Heather Burke Susan Arthure Cherrie de Leiuen 《International Journal of Historical Archaeology》2016,20(1):45-72
Are there traditions of folk ritual practice in Australian historical contexts, and are they observable in the archaeological record? Studies from the US and UK have documented a range of practices suggesting the persistence of British and European traditions of folk magic well into the twentieth century and previous historical work has identified numerous examples of ritual concealments in Australian buildings. In examining over 4,500 Australian historical archaeological sources, however, we found very few examples of possible folk ritual practices. This raises the question of why such practices are not being captured by current archaeological recording methods. As counterpoint, a general model is constructed from US, UK and Australian work that raises intriguing possibilities for the situating of superstitious behavior in Australian historical archaeology, including the contexts in which people might be more prone to practise such behaviors and how they might be materially identifiable. 相似文献
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Heather Xiaoquan Zhang 《Development and change》1999,30(1):21-41
The spontaneous, large-scale population movement from the countryside to the cities witnessed in China since the early 1980s has drawn increasing attention in academic circles. However, research has tended to focus on quantitative macro-level data collection and interpretation rather than on the experiences of those involved in the migratory process. Using qualitative research methods, this article presents the experiences and perceptions of the Chinese rural female migrants as narrated by themselves. It attempts to identify by this means the major forces behind rural women's out-migration and the institutional changes and structural barriers that have shaped women's lives and experiences in the migratory process. The author argues that women are actors and agents in this unprecedented economic and social transformation. Through their active engagement in the urban labour market, female migrants have challenged both the traditionally defined gender roles and the spatial and socio-economic boundaries that have been structurally designated to them. Their actions may catalyse a radical rearrangement of the social, political and sexual orders. 相似文献
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Meredith Wilson 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》1999,70(1):87-97
While surveying and recording rock-art on Erromango over two field-seasons in 1996 and 1997, I had the pleasure of working with Vanuatu Cultural Centre (VCC) fieldworkers Jerry Taki and Sophie Nempan Sei. During this time, both Jerry and Sophie constructed a context of ‘meaning’ for the ‘black linear’ pictures that predominate in the rock-art of the island. Their ideas were highly influential in determining the direction of my research. Jerry spoke of the association of rock-art with warfare and women. Sophie identified certain motifs as clan designs, particularly those located in sites close to where she lives, at Happyland village in the south of the island. The aim of this paper is to understand more about the rock-art of Erromango by combining local knowledge and archaeological techniques of rock-art analysis. I focus on the black linear rock-art, describing its temporal placement and context of production. Temporal information is gleaned from patterns of superimposition among particular rock-art techniques and motif forms, as well as from independent archaeological and ethnographic contexts. It is proposed that black linear rock-art belongs to the most recent period of rock-art production on Erromango, likely within the last 400 years. Rock-art production and use is explored through artistic motifs evident on other items of material culture, including objects which are known, from ethnographic records, to be produced by either women or men. I suggest that black linear motifs were at least in part produced by women, perhaps to register their connection to place during periods of displacement. In accordance with Jerry's statements, ethnographic and archaeological evidence indicates that a salient feature of the island's social landscape over the last 400 years was small and large-scale intra- and inter-island wars. The black linear rock-art is interpreted in relation to this unstable social context. 相似文献
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This paper compares two contrasting Australian case studies in the archaeology of Indigenous-European interaction: one mission-like
in its intent, the Aboriginal Settlement for Tasmanian Aborigines at Wybalenna on Flinders Island in the Bass Strait (1833–47),
the other the Lutheran mission at Lake Killalpaninna (1867–1928) investigated by the Central Australia Archaeology Project
(CAAP). Each of the two case studies adopted different strategies of investigation. Wybalenna was a small excavation while
Killalpaninna was an extensive surface survey. Both studies reveal diversity in the range of responses to a missionizing program,
providing evidence of agency in the formation of the archaeological record. They demonstrate the value of the material evidence
and the significance of archaeology in contributing to a more sensitive understanding of the interaction process by providing
an alternative to textual sources. 相似文献