中国传统工商业城市在近代的衰落

Resulted from different causes, the majority of traditional cities in modern China underwent a decline in various degrees. The causes of the decline of Suzhou, Hangzhou, and Yangzhou which have started to develop their new industry and commerce since mid-Qing Dynasty lies in such aspects as: the lose of transportation superiority in modern China; the fatal destruction caused by Taiping Revolution; the affects of the rising of Shanghai; the recession of traditional economy and slowed development of new economy; and the conservatism in thinking and ideas etc. Translated by Huang Bangfu from Xinan Minzu Daxue Xuebao 西南民族大学学报 (Journal of Southwest University for Nationalities), 2007, (4): 1–11     

商前期青铜斝的制模工艺初步研究

制模是青铜铸造工艺的第一道工序,也是关键工艺之一,其重要性不言而喻。而文献记载的缺乏,考古实物资料的限制,严重影响了学界对陶模制作工艺的认识。近年来,我们通过对大量青铜实物的细致考察,发现大多青铜器上都有明确、整齐的范缝。为研究夏商之际的范铸技术,我们对商前期青铜斝进行了模拟制备,发现分型制模才是其制模工艺的主流,用此种工艺制模更加符合器物上的范铸特征。     

南宋川陕战区兵力部署的失衡与吴曦之变

南宋在川陕战区兵力部署中,基于战略防御和节制武将的考虑,形成兴州、金州、兴元府三大屯驻重心。在具体兵力分布上,由于吴氏武将集团的影响,兴州驻军的数量与实力最为强大,呈现出严重的失衡状态。兴州驻军力量过于强大是吴曦据兴州叛变的关键因素。吴曦叛变平定后,南宋对兴州军事力量予以分化,又导致兵力分散和不利于边疆防御的弊端,体现出南宋削弱地方军事力量与加强边疆防御的两难困境。川陕战区兵力部署的演变,蕴涵着南宋加强中央集权的真实内容。     

秦代墓研究的几个问题

秦人墓,指的是属于“秦族”或秦国人在关中及其它地区死亡后所埋葬的遗迹。它既存于秦统一以前,也存在于秦统一以后,大约在西汉中晚期秦人文化完全汉化后,秦人的墓基本不复存在。     

中国古墨与现代墨元素成分研究

对中国古墨（汉墨、明墨与清墨）与不同产地的现代墨元素成分作了对比分析。用离子背散射测定墨中常量元素C、N、O的含量,用质子激发X荧光法测定微量元素K、Ca、Ti、Cu、Fe等10种元素的含量。实验结果表明,古墨中微量元素K、Ca的含量比现代徽墨、沪墨高10倍以上,而现代徽墨与沪墨中元素N和An的含量也有明显的差别。     

几种防腐剂在古坑木中的吸收量固化率及抗流失性研究

不同类型的防腐剂由于化学性质不同,造成在古坑木中的吸收量、固化率及抗流失性有较大差别。为了筛选出适合于古铜矿遗址内古坑木的防腐剂,对木宝等几种防腐剂在古坑木中的吸收量、固化率、抗流失性进行了试验。     

Vernacular uses and cultural identity of heritage: trade of antique fragments in the Chinese porcelain capital

This paper documents local uses of artefacts in the vernacular style of Jingdezhen, China as a means for reclaiming local heritage. This is done by examining the use of ancient ceramic fragments by artisans, scholars, shopkeepers and vendors in building location-based cultural identity. Based on ethnographic materials collected from 2012 to 2015, it argues that the vernacular uses of heritage artefacts facilitate the construction of identities for local communities. This is held in contrast to the homogenised identity normally presented by government narratives. Moreover, the paper discusses how the use of vernacular traditions or heritage artefacts function to interweave intricate webs of cultural identities that can be understood in a professional, social or political context.     

乾隆朝清宫十八罗汉唐卡名相解析

藏、汉两地佛教经典及佛学之传播,直承印度晚出之大乘佛学,但罗汉信仰却在两地佛教中均占一席之地,尤其是于汉藏两地家喻户晓的十六罗汉(后演绎成十八罗汉),不仅与佛和菩萨一样成为信徒崇拜的对象,而且以之为题材的绘塑作品更是广泛流传,及至帝廷内苑亦多有供奉收藏。清乾隆时期为安抚蒙藏势力而极力推崇藏传佛教,此信仰尤以宫中为盛,帝室庋藏、绘制及供奉有大量藏风浓郁的十六或十八罗汉唐卡组画,其名称、图像特征、排列顺序乃至绘画风格等与清官旧藏的内地各派罗汉图相比,同中存异。乾隆帝及藏传佛教大师们在对藏密佛像进行大规模系统化与规范化的同时,也涉及了汉藏两地十分流行的十六、十八罗汉,并在此基础上逐渐形成了具有乾隆时期清宫特色的十八罗汉图像标准。