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Edward Peacock 《Folklore》2013,124(3):283-284
This article addresses the way in which collective ideas of cultural identity in song are appropriated and customised at the local level. More specifically, it examines how the cultural construction of Scottishness in popular song was deployed and mediated in my Scottish/Australian family's song repertoire. [1] It thus considers how song performance served as a vehicle for the formation of family and cultural meaning. 相似文献
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Freshwater mussel shells from Middle and Late Holocene strata at an archaeological site in Mississippi, U.S.A., are examined for morphological and chemical differences that could be related to changing paleoenvironmental conditions. Although significant differences are noted, the different data sets provide contradictory or unclear results, suggesting that reliance upon single data sets is an unwarranted practice. 相似文献