The Monuments in the Parish Church,Colyton, Devon

Abstract

This paper provides an edition of a stray duchy of Lancaster building account currently located in the archives of the Spalding Gentleman’s Society and relating to building works at Pontefract castle. The roll contains what are referred to as ‘the parcells’ of account for the year 1406–07. Few such accounts survive for this period. Pontefract was an important centre under Henry IV, having housed the deposed Richard II until his death. The work being done at the castle was part of the rebuilding of the quarters of Robert Waterton, constable of Pontefract. Robert de Gamelston of Nottinghamshire is known from other sources as a quarryman and master mason, but this account extends the period for which he is known to have been active. Details of the quarries and of the work and wages of the masons, carpenters and smiths are provided.     

A short history of the Society for Post-Medieval Archaeology

SUMMARY: After 50 years of existence, it is appropriate to review the history of the Society, and appreciate what it has achieved not only through its conferences and publications but also in its success in promoting the archaeology of recent centuries. From a position of rare part-time interest in this period by a few enthusiasts in 1966 we can now celebrate explicit post-medieval specialists within museum, state, local government, contract, and academic archaeology, with representatives active within the Society.     

Urban law—I

In this essay, I aim to identify and analyze the influence of Cartesian dualism on Rembrandt's pictorial representations of the self. My thesis is that Descartes and Rembrandt share concerns about philosophy's exploration of human nature, concerns rooted in mind–body dualism. Descartes's corpus bears witness to a growing skepticism about the relation between matter and extension. Likewise, Rembrandt's anatomy lessons lead the viewer to question the value of treating humans as scientific objects. I suggest that by reexamining Rembrandt's work in light of the mind–body problem we generate a fuller understanding of Rembrandt's artistic critique and expression and Descartes's mature scientific thinking and abiding influence. My analysis centers on four Rembrandt paintings: The Anatomy Lesson of Doctor Nicolaes Tulp (1632); The Descent from the Cross (1632–1633); The Sacrifice of Abraham (1635); and The Anatomy Lesson of Doctor Joan Deyman (1656).     

Urban law—II

This paper explores the political thought of Andrew Michael Ramsay with particular reference to his highly acclaimed book called A New Cyropaedia, or the Travels of Cyrus (1727). Dedicated to Prince Charles Edward Stuart, the Young Pretender, to whom he was tutor, this work has been hitherto viewed as a Jacobite imitation of the Telemachus, Son of Ulysses(1699) of his eminent teacher archbishop Fénelon of Cambrai. By tracing the dual legacy of the first Persian Emperor Cyrus in Western thought, I demonstrate that Ramsay was as much indebted to Jacques-Bénigne Bossuet's Discourse on Universal History (1681)as he was to Fénelon's political romance. Ramsay took advantage of Xenophon's silence about the eponymous hero's adolescent education in his Cyropaedia, or the Education of Cyrus (c.380B.C.), but he was equally inspired by the Book of Daniel, where the same Persian prince was eulogised as the liberator of the Jewish people from their captivity in Babylon. The main thrust of Ramsay's adaptation was not only to revamp the Humanist- cum-Christian theory and practice of virtuous kingship for a restored Jacobite regime, but on a more fundamental level, to tie in secular history with biblical history. In this respect, Ramsay's New Cyropaedia, or the Travels of Cyrus, was not just another Fénelonian political novel but more essentially a work of universal history. In addition to his Jacobite model of aristocratic constitutional monarchy, it was this Bossuetian motive for universal history, which was first propounded by the German reformer Philipp Melanchthon in his Chronicon Carionis (1532), that most decisively separated Ramsay from Henry St. John, Viscount Bolingbroke, author of another famous advice book for princes of the period, The Idea of a Patriot King (written in late 1738 for the education of Frederick Lewis, Prince of Wales, but officially published in 1749).