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61.
Hans Dereks 《European Legacy》2001,6(4):491-499
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Space of Creative Industries: A Case Study of Spatial Characteristics of Creative Clusters in Shanghai 总被引:3,自引:0,他引:3
The rapid rise of creative or cultural industries not only contributes to regional economic growth, but also to a revised spatial model of urban structure, helping in the redevelopment of old town spaces. However, the spatial characteristics of creative clusters, especially at the micro-city level, are not fully understood. This study attempts to characterize the spatiality of creative clusters on the basis of a literature review and empirical study of Shanghai. By using Geographical Information System (GIS) spatial analysis and interviews, this paper examines the spatial features of creative clusters in Shanghai and their connection with urban historical, social, cultural and political aspects. It finds that creative clusters are primarily distributed in particular locations of Shanghai, namely in the inner-city, old industrial districts, places close to universities, Central Business Districts (CBDs), and entertainment and tourist zones. The old colonial zones in Shanghai play an important role in fostering the agglomeration of creative industries because of the special image of these spaces, in particular due to the abundant workshop spaces remaining from the industrial heritage. Great intimacy between creative industries and urban spaces becomes apparent in the case of Shanghai, demonstrating that the creative economy has become an important instrument in regenerating cities. Moreover, a differentiation in space among various categories of creative clusters in Shanghai was also noticed in this study. 相似文献
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Bradley W. Barr James P. Delgado Matthew S. Lawrence Hans K. Van Tilburg 《International Journal of Nautical Archaeology》2017,46(1):149-163
During 2015, the NOAA Office of National Marine Sanctuaries led a systematic seabed mapping survey along the Arctic coast of Alaska in search of whaling ships abandoned in 1871. The purpose of the expedition was to determine if wreckage from these abandoned ships was still present in the survey area, and, if so, to assess and document its location, status and condition. The project mapped approximately 50 km2 of seabed using sidescan sonar and magnetometry and identified six sites that contained wreckage from at least two whaling ships. Magnetometry data also suggested that additional wreckage may be buried in the seabed. 相似文献
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Adelina U. Kutterer Stefanie Doppler Margarethe Uerpmann Hans‐Peter Uerpmann 《Arabian Archaeology and Epigraphy》2012,23(2):125-144
Small fragments of cremated human bone, clearly representing numerous individuals, were found in a stratified Neolithic context in a small cave at Jebel Faya in the Central Region of the Emirate of Sharjah, United Arab Emirates. With radiocarbon dates between 6500 and 5800 cal BC, they are among the earliest well‐documented cases of cremations in south‐west Asia. Taxonomic identification of the small burned bone fragments is based on morphological and histological analysis. The deposits are to date the oldest human remains found in south‐east Arabia and represent a phase during the Middle Neolithic for which no other types of burials have yet been documented. 相似文献
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Kjetil Fallan 《History & Technology》2013,29(1):61-87
This article is a case study of the design and development of a Norwegian crockery series for institutional households – the 1962 Figgjo 3500 Hotel China. It investigates how this product represented a decisive break with the conventions of postwar Norwegian design and manufacture. The onset of international free trade meant export or die for the manufacturing industry. The elitist aestheticism so prevalent in the so‐called Scandinavian Design movement was abandoned in favour of an ideology remarkably akin to what was at the German Ulm School of Design called scientific operationalism. The paper also analyses how the manufacturer sought to portray this product: first, it was inscribed as science incarnated, and the material morality reigned supreme. But as society's faith in science took some serious blows in the course of the 1960s and modernist design idioms were partly forsaken in the 1970s, the engineered tableware became the fashioned tableware as trends tamed technology. These translations of technology, design, identity and consumption tell the story of how an artefact is constantly in a state of transformation – on both sides of the factory gate. 相似文献
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Hans J. G. Hassell 《Congress & the Presidency》2013,40(1):107-127
Using polling data from 1982 to 2009, I develop a model of public opinion toward the Speaker of the House. I show that, in addition to economic and institutional factors, the speaker's ideology and events associated with the speaker's responsibilities in office affect the public's opinion toward this congressional leader. I also examine the partisan differences in the formation of public opinions about the speaker. I find that minority party partisans are more likely to have negative evaluations of the speaker when the speaker has more ideologically extreme views which lead to higher levels of polarization. In addition, members of different parties weigh economic and institutional factors differently in their evaluations of the speaker. 相似文献
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