Secularisation,anticlericalism and cremation within Italian cemeteries of the nineteenth century

This article examines the monumental cemeteries of nineteenth-century Italy with regard to their role as platforms for the tensions between Church and state. In that burial grounds were publically owned yet administered by the clergy, they represented a space where conflicts between secular and clerical powers might be played out – conflicts that reached a peak in the final decades of the Ottocento following the annexation of the Papal State to unified Italy. Particular attention is given to the adoption of cremation as a practice that was advocated by anticlerical, liberal and radical factions in opposition to the Catholic Church. That opposition was manifested in the design and layout of Italian burial grounds and in construction of new crematoria.     

Suffolk Place,Southwark, London: a Tudor palace and its terracotta architectural decoration

Suffolk Place (c. 1518–22), Southwark, was the London residence of Charles Brandon, Duke of Suffolk. This majestic palace is visible in the foreground of Wyngaerde’s London panorama (c. 1544), from which it can be inferred that it possessed a double courtyard plan. The southern and eastern ranges of the outer courtyard of Suffolk Place were apparently adorned with architectural terracottas at both entablature and parapet level. As the palace was demolished in 1557–58, the finds of ex-situ terracottas are a key source of information concerning the decorative scheme of this vanished palace. Petrological study and other research indicates that the terracottas were locally manufactured, implying the existence of a London-area workshop.     

Sex work and exclusion in the tourist districts of Salvador,Brazil

Salvador, capital of the state of Bahia, in the Northeastern region of Brazil, is composed of racialized, gendered, and sexualized spaces in which certain people are welcome, while others are marginalized and excluded. Praça da Sé, in the Centro Histórico, is a major site of both the local commercial sex industry and the tourist industry in Salvador. With their public visibility in sites heavily frequented by tourists, sex workers in Salvador reveal how sexuality is public, politically contested, economically charged, and, most significantly, racialized. If, as Tom Boellstorff argues, ‘globalization resignifies the meaning of place rather than making place irrelevant’ (2007, 23), how does one then study racialized sexualities in the context of the globalized tourism industry? How do class, space, and race influence practices of sex work and sex tourism in Salvador? This article offers a critical analysis of racialized sexualities in the study of the sexual economies of tourism in Salvador. I conceptualize Salvador as a ‘site of desire’ (Manderson and Jolly 1997) where issues of socioeconomic inequality, racism, and sexism coexist alongside celebratory affirmations of Afro-Brazilian cultural production in Salvador. This article explores how the touristic cityscape of Salvador is divided into carefully demarcated zones where class and race are crucial factors in determining who ‘belongs’ and who is ‘out of place.’     

Iron isotope analysis of red and black pigments on pottery in Nasca,Peru

The Nasca culture of the south coast of Peru developed during the first millennium ad and is known internationally for its elaborately decorated polychrome pots. Despite decades of iconographic analysis, little is known about the more technological aspects of Nasca pigment production and application. We present results from a pilot study on iron isotopes as a potential line of inquiry into the differences between red and black pigments in Nasca pigments. As well, we conduct a small firing experiment to examine potential changes in isotope composition. Our analyses show three significant results. First, firing does not change the isotopic ratios of Fe in pigments. Second, red and black pigments show differences in their iron isotope composition, which relate to differences in the minerals used to make the different colors. Third, naturally available hematite samples show greater isotopic variation than pigment samples, suggesting that people selected a limited range of iron oxides to produce pigments.