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11.
This article raises the question of how the cultural politics of race and nation manifest within contemporary queer femme movements, performances and aesthetic practices. Focussing on the feeling of ‘vintage’, I specifically examine symbols, icons and aesthetics used in projects to queer femininity that invoke ‘the 1950s’. Grounded in femme-inist multi-sited ethnographic research in a movement to which I also belong, I draw on interviews and participant observation in queer subcultural spaces and analyse two examples of ‘vintage’ iconography within contemporary femme organizing where ‘vintage’ is a form of archival activism that also relates to a broader cultural imaginary of racialized femininity. Then I turn to an example of queer performance where ‘vintage’ is used as a critique of imperialism and whiteness. In closing, I discuss how the feeling of ‘vintage’ relates to whiteness and to a form of imperialist nostalgia.  相似文献   
12.
As social communities, regions are built through discourses that convey images of what the region is. Regions are built for a variety of reasons, including political and economic ones. This implies that changing economic circumstances have the potential to change the discourses on regional identities. Petroleum discoveries represent such a potential change in the economic circumstances of a region. This study of an emerging petroleum region in the north of Norway shows that a regional identity discourse is used to claim ownership over the petroleum resources in the Barents Sea in order to justify the need for a production plan that maximizes regional economic benefits. In this way, the discovery of petroleum represents an opportunity to reinforce regional identities around a set of common interests. However, “the region” is vaguely defined in this discourse, being used in reference to two different scales: Finnmark and Northern Norway.  相似文献   
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