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Rachel Koopmans 《Journal of Medieval History》2016,42(5):535-558
Four remarkable stained glass panels in the Trinity Chapel of Canterbury Cathedral (executed c.1185–1220) picture the mixing of Thomas Becket’s blood with water at Becket’s tomb. The ‘water of St Thomas’ was among the most widely renowned medieval water relics, reputed to have healed the sick throughout Latin Christendom. This article examines the glass images, comparing them with narratives in the glaziers’ source text, Benedict of Peterborough’s collection of Becket’s miracles. The glaziers presented an enhanced and carefully designed version of the early history of the water relic: the visual images draw strong parallels between the water of St Thomas and the Eucharist, and trumpet the role of the monks of Christ Church Cathedral Priory, Canterbury, the patrons of the glass, in the mixing process. The glass panels also provide suggestive evidence regarding the personnel, vessels and ceremonial involved in the actual mixing of the relic at Canterbury, including the likely participation of a lay sacrist and the possible use of mazers. 相似文献
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Rachel Hensler 《Southeastern Archaeology》2020,39(2):109-124
ABSTRACTIn this article, the pottery production of indigenous groups living inside and outside of colonial spaces in southern Georgia is compared by identifying portions of the chaîne opératoire of pottery production. Diachronic and geographic changes to production demonstrate that groups living in the interior of Georgia were in continual interaction with coastal groups in the mission system. This interaction likely contributed to the emergence of the Altamaha pottery tradition, which spread from southern South Carolina to northern Florida during Spanish colonization of the region. This research shows that Native American groups navigating colonialism drew on a wide network of communities to alter traditions in the face of unprecedented social change. 相似文献
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