New Reflections on Old Questions in the Anthropology of Gender

The ethnographic exploration of sex and gender continues to yield important results. We have some new cases—and new insights into old cases—to consider, with the help of the critical and cautionary insights of the last three decades. This article argues for a systematic reexamination of questions about gender stratification that were raised in an earlier sub-disciplinary era in light of new ethnographic and theoretical work. In doing so, it may pay to return to once popular analytical methods like cross-cultural comparison aimed at generalization. Three recent ethnographies about gender in Southeast Asia point toward possibilities for future synthesis.     

Ambivalence,pride and shame: conceptualisations of German nationhood

ABSTRACT. This article examines complex everyday expressions and understandings of nationhood in Germany, focusing on citizens' articulations of national pride and their relationship with the nation. Through an analysis of ninety semi‐structured interviews with ‘ordinary’ Germans conducted between 2000 and 2002, we argue that the prevailing, elite‐centred approach to studying nationhood has not adequately captured the complex relationships that individuals have to the nation. We examine how individuals actively process and interpret nationhood in ways that reveal ambivalence, confusion and contradictory emotions towards the nation. Such individual variation is not neatly captured by official, elite, public or institutional presentations of the nation. We argue for further research on everyday understandings of nationhood and on ordinary people's views on national pride and national identity.     

Determining the Accuracy of Historical Landscape Paintings

Historical landscape paintings are widely used to reconstruct past environments. However, artists did not necessarily fully depict reality, many exercising license to relocate and remould features. This paper applies photogrammetric techniques to the problem of determining the accuracy of artistic depictions of landscapes. Four 19th century paintings of Hobart, Tasmania, Australia by different artists were used to test the methods. The artists varied in their accuracy, with Frankland, the surveyor, being the most accurate, and Glover, the romantic professional artist, being the least accurate. This variation suggests that the use of paintings for historical reconstructions and measurements of historic features should be preceded by an accuracy assessment.