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Decisions taken by a dominant landowner had different effects at different times on the changing housing market in Huddersfield. During the early stages of urban growth the Ramsden Estate held a virtual monopoly in land, but failed to exercise its power to control building. Corruption by local agents led to the establishment of tenancy at will, an unusual system of land tenure, which encouraged the development of a very small-scale building industry. Changes in ownership in the 1840s were followed by stiff measures to control the character of building including the prohibition of back-to-back houses. By the second half of the century, competition between landowners increased and the Ramsden Estate was unable to attract large numbers of builders, forcing it eventually to provide land on terms they dictated.  相似文献   
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A paleo-parasitological study was performed on soil samples from archaeological sites in the old district of Seoul Metropolitan City (Old Seoul City) where the capital of the Joseon Kingdom was constructed about 600 years ago. The sampling sites were the original locations of the Royal Palace Wall, Yukjo Street and the Royal Arsenal. Microscopic examinations showed that parasite eggs of Clonorchis sinensis, Diphyllobothrium latum, Ascaris sp. and Trichuris sp. remained in the soil strata, which were estimated to represent the 14th-19th centuries. We suspect that the medieval citizens of Old Seoul City, numbering around 200,000, might have been made vulnerable to parasite infection by a combination of bad hygiene, inadequate sewer system and seasonal flooding.  相似文献   
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ABSTRACT

This paper compares creative (content) industries policies in the UK and South Korea, highlighting the coevality in their development. Seeing them as ‘industrial policies’, it focuses on how state intervention is justified and why a certain set of policy options have been chosen. The UK policy-makers prefer passive and decentralised roles of the state that addresses market failures via generic and horizontal policies. Meanwhile, Koreans have consistently believed in the strong, resourceful and ambitious state in developing centralised, sector-specific policies for cultural industries. While demonstrating two contrasting approaches to the nation state’s management of cultural turn in the economy, both cases seem to present a ‘paradox’. Despite its neoliberal undertone, the horizontal and fused approach taken by the UK’s creative industries policy engenders some space for ‘cultural’ policy. On the contrary, the non-liberal and state-driven content industries policy in Korea has shown a stronger tendency of cultural commodification.  相似文献   
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