From Active Young Explorers to Passive Young Consumers: The Commercialization of Canada's OWL Magazine

This article provides a content analysis of OWL magazine, a popular Canadian children's periodical published initially by a non-profit organization and, after 1997, by a for-profit corporation. Researchers examined issues of OWL from 1982, 1992, and 2002 to assess changes in the magazine in response to commercial ownership. Quantitative and qualitative methodologies were used to show how OWL has shifted from a primarily science and animal-themed magazine to a general interest “consumer” magazine for children with features like video game reviews. This shift from 1982 to 2002 is discussed within larger changes in Canadian children's commercial media and marketing. Canadian and American children's commercial media “boomed” during the 1980s and 1990s, placing additional pressure on OWL to incorporate content that met advertisers' interests and emerging consumerist outlook of Canadian children. We conclude by discussing how this research informs ongoing theoretical debates about the commercialization of childhood.     

I Will Follow You into the Dark: Death and Emotion in a Mycenaean Royal Funeral

Despite many years of intensive research into burial and funeral practices in Late Bronze Age (LBA) Greece, emotion remains largely absent from the discussion. Yet death and the emotions it provoked would have been familiar aspects of daily life in Mycenaean Greece. The dead had to be dealt with and moved on through various rites until they became a safe part of the landscape and memory of individuals and communities. In addition to anthropological and psychological research on death and grieving, we have several categories of evidence that can allow us a glimpse of the emotional world of death in LBA Greece: the Homeric poems the Iliad and Odyssey, iconographical representations of death, funeral practices and mourning, and the archaeological material itself – the tombs and offerings. In this paper, I introduce the various categories of evidence and draw on them to support an imaginative reconstruction of an event that happened, but which is not recorded in any historical sources – the death and burial of a great king of Mycenae. I argue that using emotion as a lens through which to view the evidence can sometimes allow deeper interpretation and enable fuller historical reconstructions of lived lives and experiences.