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ABSTRACT In this paper, we argue that policy assumptions are shaped by mythical narratives carrying underlying beliefs and values. Drawing on narrative studies, organisational theory and Gramsci’s cultural hegemony theory, we examine how sense-making narratives create consensus, how they imply causation and individual agency, and finally how narratives fragment to reveal alternatives to hegemonic ‘common sense’ assumptions. Applying this framework to cultural policy we examine the place of mythic, sense-making narratives in the historical development of foundational national cultural policies in the UK and Mexico – respectively, narratives of ‘the civilising mission’ and ‘social transformation’. We then consider narrative emplotment and individualisation underpinning assumptions about individual creativity in the UK creative industries policy. Finally, we address the postmodern turn in narrative studies, showing how fragmented, polysemous narratives fracture cultural policy into ‘personalised truths’ and give voice to other, counter-hegemonic perspectives. We conclude by proposing an agenda for narrative research in cultural policy. 相似文献
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José Santiago Pozo-Antonio Ignacio Pérez-Rey Gonzalo Rial 《Industrial archaeology review》2017,39(1):29-37
During the 20th century, the need for raw material promoted a commercial transportation trade of iron ores from the deposits in north-western Spain, where Vigo city was considered one of the most important ports. The global energy crisis in the 1970s, as well as the strong competition from other exporting countries, dented the prolific activity of companies dedicated to the extraction and trading of iron ore. The main goal of this article is the evaluation of one particular element of the mining and industrial heritage — two old mineral loading docks in Ría de Vigo in the Rande Strait, linking the municipalities of Redondela and Moaña. Their development as a tourist resource would add to the cultural and economic activities already developed in the area. 相似文献